During the '70s, when the Cold War was still on, we invited Voznesensky and Yevtushenko to come here. We had very large readings for them. It was a w… - Nancy Peters

When I joined City Lights in 1971 and started working with Lawrence, it was clear that it had been very much a center of protest, for people with revolutionary ideas and people who wanted to change society. And when I first began working at the little editorial office up on Filbert and Grant, people that Lawrence had known through the whole decade of the '60s were dropping in all the time, like Paul Krassner, Tim Leary, people who were working with underground presses and trying to provide an alternative to mainstream media. This was a period of persecution, and FBI infiltration of those presses.

Ginsberg used to stay in the publishing house. Our editorial office had two rooms and a kitchen; it was a tiny place. And one of the rooms was kind of a guest room so that visiting authors could stay there. Allen would come sometimes for a week at a time or more. And he hung out in the store, also. The store had become quite a center for writers by that time. Ginsberg was working on "The Fall of America," which was his long chronicle of the Vietnam War, which is full of the anguish and passion and anger that so many people felt. The war had been going on for such a long time by then. That book won the National Book Award [in 1974].

I'm looking for the binding energy of a look a crop of reflections to be reaped in a winter of thorn when icebergs of illusion will melt to be served at high tea and the spaces between the poles pinned down