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" "Your letter became before I was up this morning – Yes nice to get. I recognize two of the drawings you speak of – Number one is the first of the dozen or more you speak of – number 2 came next The last – It didn't quite satisfy me so I tried again – the last one was so much worse than the one you like that I thought I had just about worn the idea out so quit.. .You ask me what I did with the rest of myself when I made number 2 -.. .I sat up almost all night one night this week and made the most infernally ugly little shape you ever saw – I wanted to break it when I got through – but didn't then next afternoon when I had time to look at it, it amused me so that I didn't – really its laughable – it's so ugly – and still some way it's quite beautiful – I don't know – I may break it up – or I may try to cast it just for fun – I have another idea that I'm in an awful stew to model – I am going to get a lot of patience so I can make all the little do-dangles I want to and won't have to break one up so I can make another – I want to make a big one..
Georgia Totto O'Keeffe (15 November 1887 – 6 March 1986) was an American modernist painter. She was known for her paintings of enlarged flowers, New York skyscrapers, and New Mexico landscapes. O'Keeffe has been called the "Mother of American modernism". O'Keeffe is a major figure in American art. She is chiefly known for paintings in which she synthesizes abstraction and representation in paintings of flowers, rocks, shells, animal bones and landscapes. Her paintings present crisply contoured forms that are replete with subtle tonal transitions of varying colors, and she often transformed her subject matter into powerful abstract images.
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Those perilous climbings [with her sister Claudia, in the Palo Duro Canyon, 1916] were frightening, but it was wonderful to me and not like anything I had known before. The fright of the day was still with me in the night and I would often dream that the foot of my bed rose straight up into the air — then just as it was to fall I would wake up. Many drawings came from days like that, and later some oil paintings.
Dear Anita [ w:Anita Pollitzer ], don't forget w:Mary Cassatt [as one of her inspirations] — and I am not sure that your new paragraph will hold water [(Anita had sent her a chapter of the biography she was writing about Georgia] — We [artists] probably all derive from something — with some it is more obvious than with others — so much so that we can not escape a language of line that has been growing in meaning since the beginning of lines.
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School and things that painters have taught me even keep me from painting as I want to. I decided I was a very stupid fool not to be at least paint as I wanted to and say what I wanted to when I painted as that seemed to be the only thing I could do that didn't concern anybody but myself.. .I found that I could say things with colour and shapes that I couldn't say in any other way things that I had no words for.