Try QuoteGPT
Chat naturally about what you need. Each answer links back to real quotes with citations.
After completing my work [his murals for the Jewish Theater in Moscow) I thought, as has been agreed, that it would be shown in public as a series of… - Marc Chagall
" "After completing my work [his murals for the Jewish Theater in Moscow) I thought, as has been agreed, that it would be shown in public as a series of my latest things. The management will agree with me that I can find no inner peace as a painter until the 'masses' see my work etc. It turned out that the things [the murals] had been put into a 'cage', as it were, where they can be seen at the very best by (if you will forgive me for saying so) Jews at close quarters. I like the Jews a lot (there's enough 'proof' of that) but I like the Russians as well and some other nationalities, and I am used to painting serious things for many 'nationalities'.
English
Collect this quote
About Marc Chagall
Marc Chagall (July 7 1887 – 28 March 1985) was a Russian-Jewish painter who was born in Belarus, then part of the Russian Empire. He worked in Paris from 1910 till 1914, and after his Russian years (1914–1922) he returned to Paris. Among the celebrated painters of the 20th century, he is associated with the modern movements after Impressionism, but found the motifs of his painting in his religious Russian background.
Also Known As
Native Name:
Moishe Zakharovitch Chagalov
Alternative Names:
Marc Zakharovich Chagall
•
Chagall
•
Mark Zakharovich Shagal
•
Moses Shagal
•
Marḳ Shagal
•
Marŭkkŭ Syagal
•
Syagal
•
Mark Shahal
•
Moshe Segal
•
Mark Sacharovich Schagal Chagall
•
Mark Shagal
•
M. Shagal
•
Marc Szagal
•
Mark Zakharovich Shagal'
•
m. chagall
•
Moïche Zakharovitch Chagalov
Related quotes. More quotes will automatically load as you scroll down, or you can use the load more buttons.
Additional quotes by Marc Chagall
I set to work. I pointed a mural for the main wall: Introduction to the New National Theatre. The other interior walls, the ceiling and the friezes depicted the forerunners of the contemporary actor – a popular musician, a wedding jester, a good woman dancing, a copyist of the Torah, the first poet dreamer, and finally a modern couple flying over the stage. The friezes were decorated with dishes and food, beigels and fruits spread out on well-laid tables. I looked forward to meeting the actors who passed me: 'Let us agree. Let's join forces and throw out all this old rubbish. Let's work a miracle!' (c. 1921)
Or is all this fuss actually important for << art history >>? Oh, no, never. If things only ever originated as a result of such competition (between subject- and subjectless art) , it wouldn't be worth living among them, like an accidental, capricious toy. Clearly there is a greater, a more serene and more modest power, but we are either too lazy to live by its laws, or we have no time, or it "hurts too much".
Loading...