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I set to work. I pointed a mural for the main wall: Introduction to the New National Theatre. The other interior walls, the ceiling and the friezes d… - Marc Chagall
" "I set to work. I pointed a mural for the main wall: Introduction to the New National Theatre. The other interior walls, the ceiling and the friezes depicted the forerunners of the contemporary actor – a popular musician, a wedding jester, a good woman dancing, a copyist of the Torah, the first poet dreamer, and finally a modern couple flying over the stage. The friezes were decorated with dishes and food, beigels and fruits spread out on well-laid tables. I looked forward to meeting the actors who passed me: 'Let us agree. Let's join forces and throw out all this old rubbish. Let's work a miracle!' (c. 1921)
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About Marc Chagall
Marc Chagall (July 7 1887 – 28 March 1985) was a Russian-Jewish painter who was born in Belarus, then part of the Russian Empire. He worked in Paris from 1910 till 1914, and after his Russian years (1914–1922) he returned to Paris. Among the celebrated painters of the 20th century, he is associated with the modern movements after Impressionism, but found the motifs of his painting in his religious Russian background.
Also Known As
Pen Names:
Shagal, Moishe
Native Name:
Moishe Zakharovitch Chagalov
Alternative Names:
Marc Zakharovich Chagall
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Chagall
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Mark Zakharovich Shagal
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Moses Shagal
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Marḳ Shagal
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Marŭkkŭ Syagal
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Syagal
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Mark Shahal
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Moshe Segal
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Mark Sacharovich Schagal Chagall
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Mark Shagal
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M. Shagal
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Marc Szagal
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Mark Zakharovich Shagal'
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m. chagall
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Moïche Zakharovitch Chagalov
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Additional quotes by Marc Chagall
If Russian painters were condemned to become the pupils of the West they were, I think, rather unfaithful ones by their very nature. The best Russian realist conflicts with the realism of Courbet. The most authentic Russian Impressionism leaves on perplexed if one compares it with Monet and Pissaro. Here, in the Louvre, before the canvases of Manet, Millet and others, I understood why my alliance with Russia and Russian art did not take root. Why my language itself is foreign to them. Why people do not place confidence in me. Why the artistic circles fail to recognize me. Why in Russia I am entirely useless.. .In Paris, it seemed to me that I was discovering everything, above all a mastery of technique.. .It was not in technique alone that I sought the meaning of art then. It was as if the gods had stood before me.. .I had the impression that we are still only roaming on the surface of matter, that we are afraid to plunge into chaos, to shatter and overthrow beneath our feet the familiar surface. (reaction on his first arrival in Paris, 1910)
After completing my work [his murals for the Jewish Theater in Moscow) I thought, as has been agreed, that it would be shown in public as a series of my latest things. The management will agree with me that I can find no inner peace as a painter until the 'masses' see my work etc. It turned out that the things [the murals] had been put into a 'cage', as it were, where they can be seen at the very best by (if you will forgive me for saying so) Jews at close quarters. I like the Jews a lot (there's enough 'proof' of that) but I like the Russians as well and some other nationalities, and I am used to painting serious things for many 'nationalities'.
..In spite of everything, there is still no more wonderful vocation than to continue to tolerate events and to work on in the name of our mission, in the name of that spirit which lives on in our teaching and in our vision of humanity and art, the spirit which can lead us Jews down the true and just path. But along the way, peoples will spill our blood, and that of others.
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