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" "[On the prospect of Margaret Thatcher's death] Be serious - this is just a fantasy, because if she were killed, would it actually make any difference? Would things get any better? Course they wouldn't; don't kid yourself. They'd get worse, because she would become a martyr – this monetarist martyr - a cult figure, like Eva Peron. Can you imagine the televised funeral? There she'd be, laid out in a glass coffin, in the blue gear, the hair-do and all the rest of it. She'd be laying there just really life-like - just like she was in life - a bit warmer. It would be on the telly. You thought Winston Churchill was bad; you can imagine what this would be like. And then, of course, it wouldn't stop at that. There would be films - The Night Brighton Rocked. There'd be musicals. Tim Rice would be churning out the musicals about her life - Magita. There'd be Elaine Page belting out the big numbers: 'Don't Cry for Me, Barnet Finchley'.
Linda Smith (25 January 1958 – 27 February 2006) was a British stand-up comic and comedy writer.
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Paul Merton: (on the subject of people wearing bow-ties) People wear bow-ties because it's show-business, isn't it? I mean there's Bernard Manning there. I mean, obviously he is in show-business, and Neil Hamilton desperately would like to be in show-business. But that's the idea isn't it?
Linda Smith: I don't really like you saying his name, because it gives him the oxygen of publicity and I'm not happy with him having the oxygen of oxygen.
And another thing I like about cricket is, because most of the commentators apart from Boycott and Trueman are very old-worldly, they have an innocence and naïveté about them, that makes them sometimes say, in the course of their commentary, inadvertently rude things: 'Now we're at the start of play, and we're coming in to play; and the bowler's Holding, the batman's Willey'; 'Here we are, and we're about to commence play. And there's Simpson, in his usual position, standing with his legs wide open, at first slip, waiting for a tickle.'
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[T]he train system is so chronic now, that any journey you undertake by train in Britain is identical to the one taken by Omar Sharif in Doctor Zhivago; that's what it's like - the same drama and misery. Ancient, knackered rolling-stock limping painfully across the land, shuddering to a halt for no apparent reason, with the lights flickering on and off; everyone running up and down - 'What's going on? What's up ahead? I don't know... Is it Rod Steiger with the White Guard?' - desperate women in headscarves running alongside the carriages, throwing their babies into the train, shouting 'I'LL NEVER SEE PURLEY OAKS, BUT MY CHILD MIGHT!'