Turkmens claim that they have the lowest life expectancy in Iran and that they are denied fair access to higher education. Those who manage to apply … - Amir Taheri

The French Riviera is the one spot in Europe that comes closest to the image of an earthly paradise. At its heart is the Franco-Italian city of Nice, now France’s No. 2 tourist attraction after Paris... To a committed Islamist, Nice was the very symbol of a sinful “deviation from the Right Path.”

The Iranian regime knows it lacks the military power and the political support needed to seize direct control in any Arab state, least of all Iraq. This is why it plans to create a state-within-a-state situation — where the formal government in Baghdad, like the formal governments in Beirut or Damascus, will be an empty shell, with real power exercised by heavily armed and well-funded groups linked to Tehran. These Iranian-controlled groups would command chunks of territory while letting Sunni jihadists set up shop in their own neck of the woods. In other words, Iran is not aiming to defeat IS, let alone destroy it. All Tehran wants is to create a safe corridor through Iraqi territory to Syria and thence to Lebanon.

Khamenei is not the first ruler of Iran with whom poets have run into trouble. For some 12 centuries poetry has been the Iranian people’s principal medium of expression. Iran may be the only country where not a single home is found without at least one book of poems. Initially, Persian poets had a hard time to define their place in society. The newly converted Islamic rulers suspected the poets of trying to revive the Zoroastrian faith to undermine the new religion. Clerics saw poets as people who wished to keep the Persian language alive and thus sabotage the ascent of Arabic as the new lingua franca. Without the early Persian poets, Iranians might have ended up like so many other nations in the Middle East who lost their native languages and became Arabic speakers. Early on, Persian poets developed a strategy to check the ardor of the rulers and the mullahs. They started every qasida with praise to God and Prophet followed by panegyric for the ruler of the day. Once those “obligations” were out of the way they would move on to the real themes of the poems they wished to compose. Everyone knew that there was some trick involved but everyone accepted the result because it was good. Despite that modus vivendi some poets did end up in prison or in exile while many others spent their lives in hardship if not poverty. However, poets were never put to the sword. The Khomeinist regime is the first in Iran’s history to have executed so many poets. Implicitly or explicitly, some rulers made it clear what the poet couldn’t write. But none ever dreamt of telling the poet what he should write. Khamenei is the first to try to dictate to poets, accusing them of “crime” and” betrayal” if they ignored his injunctions.