"At least you can say you were in on the last days of Morocco," he told her. "How's your tea? Finished? I think we ought to be going." - Paul Bowles

Scene VI (1940)

It is our fault we love only the skull of Beauty
Without knowing who she was, of what she died.
We have the thief's guilt, but not his booty,
The liar's spasm without ever having lied.
The sick locust scrapes his injured song,
His thorax only partially destroyed.
Retching is prohibited. It's wrong.
The murderer feels no hate he can avoid.

Now flies bite worst where the skin is broken.
Illness triumphs. Lesions. Soon tumors sprout.
The bloated plants quiver, the seeds will be shaken.
'Your head's bashed in, darling. Look out.

It was such places as this, such moments that he loved above all else in life; she knew that, and she also knew that he loved them more if she could be there to experience them with him. And although he was aware that the very silences and emptinesses that touched his soul terrified her, he could not bear to be reminded of that. It was as if always he held the fresh hope that she, too, would be touched in the same way as he by solitude and the proximity to infinite things.

Everyone is isolated from everyone else. The concept of society is like a cushion to protect us from the knowledge of that isolation. A fiction that serves as an anesthetic.