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An extreme, unconditional human yearning was expressed for the first time by Nietzsche independently of moral goals or of serving God. … Ardor that d… - Georges Bataille
" "An extreme, unconditional human yearning was expressed for the first time by Nietzsche independently of moral goals or of serving God. … Ardor that doesn’t address a dramatically articulated moral obligation is a paradox. … If we stop looking at states of ardor as simply preliminary to other and subsequent conditions grasped as beneficial, the state I propose seems a pure play of lightning, merely an empty consummation. Lacking any relation to material benefits such as power or the growth of the state (or of God or a Church or a party), this consuming can’t even be comprehended. … I’ll have to face the same difficulties as Nietzsche—putting God and the good behind him, though all ablaze with the ardor possessed by those who lay down their lives for God or the good. … I’ll admit that moral investigations that aim to surpass the good lead first of all to disorder.
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About Georges Bataille
Georges Albert Maurice Victor Bataille (10 September 1897 – 9 July 1962) was a French writer. His multifaceted work is linked to the domains of literature, anthropology, philosophy, economy, sociology and history of art. Eroticism and transgression are at the core of his writings.
Also Known As
Alternative Names:
Pierre Angélique
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George Bataille
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Joruju Bataiyu
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G. Bataiyu
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Lord Auch
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Pierre Angelique
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Georges Albert Maurice Victor Bataille
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Additional quotes by Georges Bataille
Extreme states of being, whether individual or collective, were once purposefully motivated. Some of those purposes no longer have meaning (expiation, salvation). The well-being of communities is no longer sought through means of doubtful effectiveness, but directly, through action. Under these conditions, extreme states of being fell into the domain of the arts, and not without a certain disadvantage. Literature (fiction) took the place of what had formerly been the spiritual life; poetry (the disorder of words) that of real states of trance. Art constituted a small free domain, outside action: to gain freedom it had to renounce the real world. This is a heavy price to pay, and most writers dream of recovering a lost reality. They must then pay in another sense, by renouncing freedom.
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"We’re like a farmer working his land before the storm, walking down his fields with lowered head, knowing that the hail is bound to fall. And then, as the moment approaches, standing in front of his harvest, he draws himself erect and, as I now am doing" – with no transition, this ludicrous, laughable character became noble: that frail voice, that slick voice of his was imbued with ice – "he pointlessly raises his arms to heaven, waiting for the lightning to strike him – him, and his arms …" As he spoke these words he let his own arms fall. He had become the perfect emblem of some dreadful despair.
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