Cheng Xin now recalled the strange feeling she had experienced each time she had looked at Van Gogh’s painting. Everything else in the painting — the… - Liu Cixin

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Cheng Xin now recalled the strange feeling she had experienced each time she had looked at Van Gogh’s painting. Everything else in the painting — the trees that seemed to be on fire, and the village and mountains at night — showed perspective and depth, but the starry sky above had no three-dimensionality at all, like a painting hanging in space. Because the starry night was two-dimensional. How could Van Gogh have painted such a thing in 1889? Did he, having suffered a second breakdown, truly leap across five centuries

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About Liu Cixin

Liu Cixin (born June 23, 1963) is a Chinese science fiction writer.

Biography information from Wikiquote

Also Known As

Native Name: 刘慈欣
Alternative Names: Cixin Liu Liu Ci Xin Da Liu Big Liu Daliu Liu Da Liucixin Liu Ci-Xin Ci-Xin Liu

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We tend to imagine that readers of fantasy recognize that what they’re reading is make-believe, which is certainly true today, but wasn’t necessarily so in ancient times. People of ages past regarded fantasies and myths as nothing less than fact. Back then, the real world and the world of magic were mixed together as an inseparable whole, and a large part of the appeal of magical fantasy was its perceived realism. Now, its sense of realism is gone for good, which is why modernity can produce only fairy tales, never myths.

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You are standing at the foot of the mountain. We are all always at the foot. The speed of light is the foot of a mountain; the three dimensions of space are the foot of a mountain. You are imprisoned in the deep gorge of light-speed and three- dimensional space. Does it not feel... cramped?

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