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" "Jeanne has to organize her life, to not have any space, any time, so she won’t be depressed or anxious [...] She didn’t want to have one free hour because she didn’t know how to fill that hour.
Chantal Anne Akerman (6 June 1950 – 5 October 2015) was a Belgian film director, screenwriter, artist, and film professor at the City College of New York. She is best known for Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975). In 2022, Jeanne Dielman came first in the Sight & Sound Greatest Films of All Time poll of critics, and joint fourth in the directors survey. According to film scholar Gwendolyn Audrey Foster, Akerman's influence on feminist and avant-garde cinema is substantial.
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I sometimes think I should have made it after many other films, at the end of my career. [...] I remember saying to myself, how can I make a better film? But it was also exactly the film I had to make then. It says something about a woman, about a way of living a life, about life after the war. It was the first thing I had to pour out of myself. [...] I would have changed nothing about it.
[On the isms ("feminism, minimalism, structuralism") present in analysis of Jeanne Dielman.] I don’t think it’s minimalist, [...] I think it’s maximalist. It’s big! And if I did the film now I don’t know that it would be called feminist. It could have been done about a man, too. All those labels are a bit annoying [...] To name something is a way to possess it. I think it makes the film smaller. And O.K., maybe they are right, but they are never right enough.