But what joy can you take in a tree or a bush, if you don’t imagine that a living being dwells within it, that opens and closes the flowers and smoot… - Jens Peter Jacobsen

He was surprised at his own calm, but he did not have perfect faith in it. He felt as though something in the very depths of his being were bubbling, very softly, but persistently: welling up, seething, pressing on, but far, far away. He was in a mood as one who waits for something that must come from afar, a distant music that must draw near, little by little, singing, murmuring, frothing, rushing, roaring, and whirling down over him, catching him up he knew not how, carrying him he knew not whither, coming on as a flood, breaking as a surf, and then — But now he was calm. There was only the tremulous singing in the distance; otherwise all was peace and tranquility.

Whatever stamped itself on Niels's mind, what he saw, what he understood and what he misunderstood, what he admired and what he knew he ought to admire — all was woven into the story. As running water is colored by every passing picture, sometimes holding the image with perfect clearness, sometimes distorting it or throwing it back in wavering, uncertain lines, then again drowning it completely in the color and play of its own ripples, so the lad's story reflected feeling and thoughts, his own and those of other people, mirrored human beings and events, life and books, as well as it could. It was a play life, running side by side with real life. It was a snug retreat, where you could abandon yourself to dreams of the wildest adventures. It was a fairy garden that opened at your slightest nod, and received you in all its glory, shutting out everybody else.

"Of what are you thinking now?" she asked.
"I am thinking of myself."
"That's just what I am doing."
"Are you also thinking of yourself?"
"No, of yourself — of you, Mogens."