Every culture that has lost myth has lost, by the same token, its natural healthy creativity. Only a horizon ringed about with myths can unify a cult… - Friedrich Nietzsche

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Engraved portrait of Friedrich Nietzsche, facing right

Every culture that has lost myth has lost, by the same token, its natural healthy creativity. Only a horizon ringed about with myths can unify a culture. The forces of imagination and the Apollonian dream are saved only by myth from indiscriminate rambling. The images of myth must be the daemonic guardians, ubiquitous but unnoticed, presiding over the growth of the child's mind and interpreting to the mature man his life and struggles.

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About Friedrich Nietzsche

Friedrich Wilhelm Nietzsche (15 October 1844 – 25 August 1900) was a German philosopher, cultural critic, composer, poet, writer, and philologist whose work has exerted a profound influence on modern intellectual history. His critiques of contemporary culture, religion, and philosophy centered on a basic question regarding the foundation of values and morality.

Biography information from Wikiquote · Portrait adapted from Wikimedia Commons, Friedrich Hermann Hartmann (Public domain / CC0)

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Alternative Names: Friedrich Wilhelm Nietzsche Nietzsche

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The images of myth must be the daemonic guardians, omnipresent and unnoticed, which protect the growth of the young mind, and guide man's interpretation of his life and struggles.

Additional quotes by Friedrich Nietzsche

A Path to Equality. - A few hours of mountain climbing turn a rascal and a saint into two pretty similar creatures. Fatigue is the shortest way to Equality and Fraternity--and, in the end, Liberty will surrender to Sleep.

It is always as it was between Achilles and Homer: one person has the experience, the sensation, the other describes it. A real writer only gives words to the affects and experiences of others; he is an artist in divining a great deal from the little that he has felt. Artist are by no means people of great passion, but they frequently present themselves as such, unconsciously sensing that others give greater credence to the passions they portray if the artist's own life testifies to his experience in this area. We need only let ourselves go, not control ourselves, give free play to our wrath or our desire, and the whole world immediately cries: how passionate he is! But there really is something significant in a deeply gnawing passion that consumes and often swallows up an individual: whoever experiences this surely does not describe it in dramas, music, or novels. Artists are frequently unbridled individuals, insofar, that is, as they are not artists: but that is something different.

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In Germany there is much complaining about my "eccentricities." But since it is not known where my center is, it won't be easy to find out where or when I have thus far been "eccentric." That I was a philologist, for example, meant that I was outside my center (which fortunately does not mean that I was a poor philologist). Likewise, I now regard my having been a Wagnerian as eccentric. It was a highly dangerous experiment; now that I know it did not ruin me, I also know what significance it had for me — it was the most severe test of my character.

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