..I let myself go.. [in Kandinsky's Murnau-period when he was painting in open air; c. 1908 – 1914] I thought little of the houses and trees, but app… - Wassily Kandinsky

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..I let myself go.. [in Kandinsky's Murnau-period when he was painting in open air; c. 1908 – 1914] I thought little of the houses and trees, but applied colour stripes and spots to the canvas with the knife and made them sing out as strongly as I could. Within me sounded the memory of early evening in Moscow, before my eyes was the strong, colour-saturated scale of the Munich light and atmosphere, which thundered deeply in the shadows.

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About Wassily Kandinsky

Wassily Wassilyevich Kandinsky (December 4 or 16, 1866 - December 13, 1944) — was a Russian painter and art theorist and one of the leading figures in Blaue Reiter. One of the most important 20th-century artists, he is credited with painting the first modern abstract art works.

Also Known As

Alternative Names: Wassily Wassiljewitsch Kandinsky Vasili Vasilevich Kandinsky Vasilii Vasilevich Kandinskii Vasily Vasil'yevich Kandinsky Vasilij Kandinski Vasilij Vasil'evic Kandinskij Vasily Kandinsky Vasilij Kandinskij Vasily. Kandinsky Vasilij Vasil'evič Kandinskij Wassili Kandinsky Wassily Wassilyevich Kandinsky Vasili Vasileevich Kandinsky Vasilĭi Vasilʹevich Kandinskĭi Vasilij Vasilijevitch Kandynski Wassily Kandinski Basile W. Kandinsky Wahsili Kang-ting-ssu-chi Vassily Kandinsky Kandinsky w. kandinsky Vasili Vasil'evich Kandinski
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Additional quotes by Wassily Kandinsky

I have just finished one painting and am already at work on the preliminary drawings for the next one. I must do something in order to get rid of such habits or I won't manage to find time for any vacation. I have had this new painting in my mind since January, and must get it down on canvas.

An artist who sees that the imitation of natural appearances, however artistic, is not for him – the kind of creative artist who wants to, and has to express his own inner world – sees with envy how naturally and easily such goals can be attained in music, the least material of the arts today. Understandably, he may turn toward it and try to find the same means in his own art. Hence the current search for rhythm in painting, for mathematical abstract construction.. ..the way colors are set in motion, etc.

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We can only assert here, with especial satisfaction, that Gabriele Münters talent, robust, rooted in an inward strength and sensitivity, in fact genuinely German, should in no circumstances be assessed as masculin, or as 'quasi-masculine'. This talent – and we emphasize it, once more, with great satisfaction – can only be described as exclusively and purely feminine.. .Gabriele Münter doesn't paint feminine subjects, she does not work with feminine materials, and does not permit herself any feminine coquetry. Their are neither raptures, nor agreeable exterior elegance, nor appealing weaknesses to be found here.

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