Now I begin to know at last, These nights when I sit down to rhyme, The form and measure of that vast God we call Poetry, he who stoops And leaps me … - Robert Graves

In Dedication.

All saints revile her, and all sober men
Ruled by the God Apollo's golden mean -
In scorn of which I sailed to find her
In distant regions likeliest to hold her
Whom I desired above all things to know,
Sister of the mirage and echo.

It was a virtue not to stay,
To go my headstrong and heroic way
Seeking her out at the volcano's head,
Among pack ice, or where the track had faded
Beyond the cavern of the seven sleepers:
Whose broad high brow was white as any leper's,
Whose eyes were blue, with rowan-berry lips,
With hair curled honey-coloured to white hips.

Green sap of Spring in the young wood a-stir
Will celebrate the Mountain Mother,
And every song-bird shout awhile for her;
But I am gifted, even in November
Rawest of seasons, with so huge a sense
Of her nakedly worn magnificence
I forget cruelty and past betrayal,
Careless of where the next bright bolt may fall.

Yet I admire Phemius, who helped me to smooth out incidents in which the Goddess Athene had not been particularly helpful. For safety’s sake, on his advice, I have consigned to oblivion all the names of my living characters, giving them pseudonyms — as I also do here, with only four exceptions. I retain my own as a personal signature; Phemius retains his as a reward for the collaboration; I allow Odysseus to call himself “Aethon son of Castor” and tell Aethon’s life story in one of his many fictions; and (as I decided halfway through the poem) Eurycleia deserves to be immortalized for urging Aethon and me to marry.

Welsh Incident

'But that was nothing to what things came out
From the sea-caves of Criccieth yonder.'
What were they? Mermaids? dragons? ghosts?'
Nothing at all of any things like that.'
What were they, then?'
'All sorts of queer things,
Things never seen or heard or written about,
Very strange, un-Welsh, utterly peculiar
Things. Oh, solid enough they seemed to touch,
Had anyone dared it. Marvellous creation,
All various shapes and sizes, and no sizes,
All new, each perfectly unlike his neighbour,
Though all came moving slowly out together.'
Describe just one of them.'
'I am unable.'
What were their colours?'
'Mostly nameless colours,
Colours you'd like to see; but one was puce
Or perhaps more like crimson, but not purplish.
Some had no colour.'
'Tell me, had they legs?'
Not a leg or foot among them that I saw.'
But did these things come out in any order?'
What o'clock was it? What was the day of the week?
Who else was present? How was the weather?'
I was coming to that. It was half-past three
On Easter Tuesday last. The sun was shining.
The Harlech Silver Band played Marchog Jesu
On thrity-seven shimmering instruments
Collecting for Caernarvon's (Fever) Hospital Fund.
The populations of Pwllheli, Criccieth,
Portmadoc, Borth, Tremadoc, Penrhyndeudraeth,
Were all assembled. Criccieth's mayor addressed them
First in good Welsh and then in fluent English,
Twisting his fingers in his chain of office,
Welcoming the things. They came out on the sand,
Not keeping time to the band, moving seaward
Silently at a snail's pace. But at last
The most odd, indescribable thing of all
Which hardly one man there could see for wonder
Did something recognizably a something.'
Well, what?'
'It made a noise.'
'A frightening noise?'
No, no.'
'A musical noise? A noise of scuffling?'
No, but a very loud, respectable noise — -
Like groaning to oneself on Sunday morning
In Chapel, close before the second psalm.'
What did the mayor do?'
'I was coming to that.