The truth is that Mozart, Pascal, Boolean Algebra, Shakespeare, parliamentary government, baroque churches, Newton, the emancipation of women, Kant, … - Susan Sontag

" "

The truth is that Mozart, Pascal, Boolean Algebra, Shakespeare, parliamentary government, baroque churches, Newton, the emancipation of women, Kant, Marx, and Balanchine ballets don't redeem what this particular civilization has wrought upon the world. The white race is the cancer of human history; it is the white race and it alone—its ideologies and inventions—which eradicates autonomous civilizations wherever it spreads, which has upset the ecological balance of the planet, which now threatens the very existence of life itself.

English
Collect this quote

About Susan Sontag

Susan Sontag (16 January 1933 – 28 December 2004) was an American essayist, literary critic, cultural theorist, and political activist.

Biography information from Wikiquote

Also Known As

Alternative Names: Susan Rosenblatt
Works in ChatGPT, Claude, or Any AI

Add semantic quote search to your AI assistant via MCP. One command setup.

Related quotes. More quotes will automatically load as you scroll down, or you can use the load more buttons.

Shorter versions of this quote

Mozart, Pascal, Boolean algebra, Shakespeare, parliamentary government, baroque churches, Newton, the emancipation of women, Kant, Balanchine ballets, et al. don’t redeem what this particular civilization has wrought upon the world. The white race is the cancer of human history.

Additional quotes by Susan Sontag

Americans are constantly extolling "traditions"; litanies to family values are at the center of every politician's discourse. And yet the culture of America is extremely corrosive of family life, indeed of all traditions except those redefined as "identities" that can be accepted as part of larger patterns of distinctiveness, cooperation, and openness to innovation.

Limited Time Offer

Premium members can get their quote collection automatically imported into their Quotewise collections.

In contrast to the asexual chasteness of official communist art, Nazi art is both prurient and idealizing. A utopian aesthetics (physical perfection; identity as a biological given) implies an ideal eroticism: sexuality converted into the magnetism of leaders and the joy of followers. The fascist ideal is to transform sexual energy into a "spiritual" force, for the benefit of the community.

Loading...