I was known for my fastball and curve and did well with just those two pitches, but people don't know that I tried to add a third pitch, any third pitch. For a long time, I tried to learn the changeup. The Dodgers taught the changeup in a certain way - it was the Dodgers' changeup - and I tried to learn it for ten years but never got the hang of it. I never liked my changeup, and I never wanted to throw it. One day, I was playing catch and started to fool around with the forkball, and it felt more comfortable to me. I said, "Well, I'm gonna try this instead of the changeup." So I started to throw it, but I only used it occasionally in games, because I didn't throw it hard enough.I also threw the slider a couple of times. I threw the slider to Henry Aaron and Roberto Clemente, because I figured if it worked on those two great hitters, then I had something there. So I threw it to Aaron and almost hit him in the face. He reached out to get it, and it came right at him. And I threw it to Clemente. You may remember that in Forbes Field in Pittsburgh, there was a light tower by where they used to park the batting cage. Halfway up. there was a bunch of transformers. Well, Clemente hit it off a transformer. I said, "Well, maybe I don't have a slider," and I gave it up. So, I never came up with a third pitch.

Well, I already have a fork ball, but it's not really another pitch. I use it instead of a change of pace. If I have a good fast ball and a good curve ball I hesitate to use anything else. But if they're not getting me by, I try to use anything I can, including the fork ball. [...] I don't know if I can throw any other pitches. I used to try the slider once in a while, and some other pitches, but since I had this little problem with my elbow it seems like only my old standby pitches don't bother me. All the new stuff, like the slider or the others I used to try, it seems like they all hurt my arm.

Nowadays, when a pitcher gets a ball close to the hitter, the hitter comes back to the bench and says: "You know, I think he's throwing at me." That shows you how times have changed. When I broke in, you knew damned well they were throwing at you.

Show me a guy who can't pitch inside and I'll show you a loser.

That's easy. The new rules have made these pitchers turn square, and their offerings have been clouted. I know some pitchers who used the old emery and the shiner and all the rest, and they were bearcats. Now they have to get by on their natural ability and they don't rate so high. I can think of one pitcher who was a wonder last year. They took the old sail ball away from him, and now he hasn't enough to get by in a good class AA league. So it goes. They say that the ball is livelier. I think that is the old bunk. The pitchers are not pitching as they used to and the batters have a better chance.

I became a good pitcher when I stopped trying to make them miss the ball and started trying to make them hit it.

Pitchers—real pitchers— know that their job isn't so much to keep opposing batsmen from hitting as it is to make them hit it at someone. The trouble with most kid pitchers is that they forget there are eight other men on the team to help them. They just blunder ahead, putting everything they have on every pitch and trying to carry the weight of the whole game on their shoulders. The result is that they tire out and go bad along in the middle of the game, and then the wise old heads have to hurry out and rescue them. I've seen a lot of young fellows come up, and they all had the same trouble. Take Lefty Grove over at Philadelphia, for instance. There isn't a pitcher in the league who has more speed or stuff than Lefty. He can do things with a baseball that make you dizzy. But when he first came into the league he seemed to think that he had to strike out every batter as he came up. The result was he'd go along great for five or six innings, and them blow. And he's just now learning to conserve his strength. In other words, he's learning that a little exercise of the noodle will save a lot of wear and tear on his arm.

Last year wasn't Seaver's kind of year, but he's still an impressive pitcher, still strong. Like McLain, Marichal and Gibson, he has the good stuff and control. I mean he can make an excellent fastball or curve and throw it in good spots. A guy who throws what he intends to throw—that's the definition of a good pitcher.

Pitch Anything by Oren Klaff.

If a pitcher who wishes to retire a batter (motivation) throws a burning fastball (action) directly into the wind (environmental influence), then the observer should conclude that the pitcher has a particularly strong arm (ability). If a batter tries to hit that ball (motivation) but fails (action), then the observer should conclude that the batter lacked coordination (ability) or was blinded by the sun (environmental influence).

4192. Small Pitchers have wide Ears.

There wasn't any pitcher I felt I couldn't get a hit off.

You've got to be lucky to pitch a no-hitter, and if you have good stuff, it's easier to be lucky.

We need one or two more pitchers. We'll see. I always said that any team can be good with two or three good pitchers. The best example is the Atlanta Braves with Maddux, Smoltz and Glavine back in the day.