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" "A guilty party is being sought. Such action is a favorite means of consolation in the face of calamity.
Karel Čapek (January 9, 1890 – December 25, 1938) was a Czech author and playwright, who introduced and made popular the word robot as a word for artificial human beings, which first appeared in his play R.U.R. (Rossum's Universal Robots) in 1920.
Biography information from Wikiquote
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Chtěl jste bojovat proti válce; zatím však bojujete proti zákonu. Porušit zákon je mravně dovoleno jen ve jménu vyššího a ušlechtilejšího zákona. Který je vyšší zákon, o nějž se zasazujete? Ano: nezabíjet. Je však ještě vyšší zákon: položit život “za to, co větší je než já”. Vojáku Vladimíre, to větší je národ. Neodsuzuji vás proto, že nechcete zabíjet – kdo by mohl odsuzovat vůli tak ušlechtilou? –, ale proto, že nechcete položit život za něco, co je větší než vy. Jste vinen, že jste nepomyslil na tuto hodnotu. Celé pasívní hrdinství vaší oběti se nevyrovná aktivnímu hrdinství obyčejného vojáka, který přijímá riziko své povinnosti. Není doba pro zbytečné mučednictví; prosté věci, jako poslušnost, jsou dnes vážnější lidskou obětí.
S aztán még virítani kezd a lomb. Sárgán, bíborvörösen, rozsdaszínben, narancspirosan, paprikavörösen, vörösbarnán pompáznak az őszi levelek, vörösek, narancsszínűek, feketék, kékesen hamvasak a bogyók, sárgállik, vöröslik, fakó fehéren fénylik a csupasz vesszők fája - ó, még nincs vége mindennek! S amikor már leesett az első hó, itt lesznek még a sötétzöld téli magyalbokrok a tűzpiros termésükkel, meg a feketefenyők, a hamisciprusok és a tiszafák - soha nincs vége semminek.
Mondom nektek, nincsen halál, és nincs téli álom sem. Csak növünk egyik időszakból a másikba. Türelem kell az élethez, mert az élet örök.
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After Us, the Salamanders!, The Future belongs to the Newts, Newts Mean Cultural Revolution. Even if they don't have their own art (they explained) at least they are not burdened with idiotic ideals, dried up traditions and all the rigid and boring things taught in schools and given the name of poetry, music, architecture, philosophy and culture in any of its forms. The word culture is senile and it makes us sick. Human art has been with us for too long and is worn-out and if the newts have never fallen for it we will make a new art for them. We, the young, will blaze the path for a new world of salamandrism: we wish to be the first newts, we are the salamanders of tomorrow! And so the young poetic movement of salamandrism was born, triton - or tritone - music was composed and pelagic painting, inspired by the shape world of jellyfish, fish and corals, made its appearance. There were also the water regulating structures made by the newts themselves which were discovered as a new source of beauty and dignity. We've had enough of nature, the slogans went; bring on the smooth, concrete shores instead of the old and ragged cliffs! Romanticism is dead; the continents of the future will be outlined with clean straight lines and re-shaped into conic sections and rhombuses; the old geological must be replaced with a world of geometry. In short, there was once again a new trend that was to be the thing of the future, a new aesthetic sensation and new cultural manifestoes; anyone who failed to join in with the rise of salamandrism before it was too late felt bitterly that he had missed his time, and he would take his revenge by making calls for the purity of mankind, a return to the values of the people and nature and other reactionary slogans. A concert of tritone music was booed off the stage in Vienna, at the Salon des Indépendents in Paris a pelagic painting called Capriccio en Bleu was slashed by an unidentified perpetrator; salamandrism was simply victorious, and its ri