I have no technical advice or counsel to offer those of you who labor in this vineyard, the one that produces words and pictures. You will, I am sure… - Edward R. Murrow

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I have no technical advice or counsel to offer those of you who labor in this vineyard, the one that produces words and pictures. You will, I am sure, forgive me for not telling you that instruments with which you work are miraculous, that your responsibility is unprecedented or that your aspirations are frequently frustrated. It is not necessary to remind you of the fact that your voice, amplified to the degree where it reaches from one end of the country to the other, does not confer upon you greater wisdom than when your voice reached only from one end of the bar to the other. All of these things you know.

English
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About Edward R. Murrow

Edward Roscoe Murrow (born Egbert Roscoe Murrow; 25 April 1908 – 27 April 1965) was an American journalist. He first came to prominence with a series of radio news broadcasts during World War II, which were followed by millions of listeners in the United States and Canada. Many journalists consider Murrow one of journalism's greatest figures. A pioneer of television news broadcasting, Murrow produced a series of TV news reports that helped lead to the censure of Senator Joseph McCarthy.

Biography information from Wikiquote

Also Known As

Birth Name: Egbert Roscoe Murrow
Alternative Names: Edward Roscoe Murrow Egbert Murrow Edward Murrow Ed Murrow
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Additional quotes by Edward R. Murrow

This instrument can teach, it can illuminate; yes, and even it can inspire. But it can do so only to the extent that humans are determined to use it to those ends. Otherwise it's nothing but wires and lights in a box. There is a great and perhaps decisive battle to be fought against ignorance, intolerance and indifference. This weapon of television could be useful. Stonewall Jackson, who knew something about the use of weapons, is reported to have said, "When war comes, you must draw the sword and throw away the scabbard." The trouble with television is that it is rusting in the scabbard during a battle for survival.

Our history will be what we make it. And if there are any historians about fifty or a hundred years from now, and there should be preserved the kinescopes for one week of all three networks, they will there find recorded in black and white, or perhaps color, evidence of decadence, escapism and insulation from the realities of the world in which we live.

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