This is the conscience of trauma. This is a grief book. That's how I refer to it, privately. It's my grief book because my mother was murdered, and r… - Lorna Dee Cervantes

I ran
flushed and shadowed by no one
alone I settled stiff in mouth
with the words women gave me.

I was a street kid by day and by night I was a library kid. At the library I would go the shelves alphabetically. I was drawn to anyone with a female name, with a Latino or Spanish name. There were very, very few. But as a teenager I discovered African American poetry. Gwendolyn Brooks was the first. Then Phillis Wheatley. I really identified with this slave woman writing poetry to assert and affirm her humanity. Suddenly my eyes were open to history. There was a whole explosion of African-American women poets-Audre Lorde, Nikki Giovanni, June Jordan. I have a poem in my head that's going to take me years to write down. Its working title is "On Thanking Black Muses." I owe them, because poetry really changed my life, saved it.

Reading African American women poets politicized me. And it was the fact that poetry politicized me that had to do with then saving my life. Then all of the sudden, I started questioning; that's the dynamic of oppression, and especially as a child and as a woman, a girl coming into it. You look around, and you don't see anybody like you in positions of power, and you don't even question it. You just assume that you are not going to achieve anything and [that] no one expects anything from you. And so when I started reading this poetry, then I started questioning and questioning real hard. And I got angry.