The theory called Euhemerism argued that all gods may have originally been only human rulers elevated to divinity by later generations for their bene… - Daniel J. Boorstin

In the West, castrati are known to history not for their political influence but mainly for their vocal peculiarities. In addition to removing the power to procreate, the castrating operation retards the deepening of the voice, and leaves the eunuch a soprano. From Constantinople the practice spread of using eunuchs in choirs. In the eighteenth century Handel’s operas featured castrati, who then began to dominate the opera scene, sometimes requiring composers to write in parts especially for them. Until the early nineteenth century castrati sang in the papal choir in Rome. The Italian practice of castrating boys to prepare them to become adult male sopranos did not end till the reign of Pope Leo XIII in the late nineteenth century.

Pseudo‑events spawn other pseudo‑events in geometric progression. This is partly because every kind of pseudo­-event (being planned) tends to become ritualized, with a protocol and a rigidity all its own. As each type of pseudo-­event acquires this rigidity, pressures arise to produce other, derivative, forms of pseudo‑event which are more fluid, more tantalizing, and more interestingly ambiguous.

We try to make our celebrities stand in for the heroes we no longer have, or for those who have been pushed out of our view... Yet the celebrity is usually nothing greater than a more-publicized version of us. In imitating him, in trying to dress like him, talk like him, look like him, think like him, we are simply imitating ourselves.