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" "We are on the cusp of this time where I can say, "I speak as a citizen of the world" without others saying, "God, what a nut."
Lawrence Lessig (born 3 June 1961) is an American academic and political activist. He is most famous as a proponent of reduced legal restrictions on copyright, trademark, and radio frequency spectrum, particularly in technology applications. He is a director of the Edmond J. Safra Foundation Center for Ethics at Harvard University and a professor of law at Harvard Law School. Prior to rejoining Harvard, he was a professor of law at Stanford Law School and founder of its Center for Internet and Society. Lessig is a founding board member of Creative Commons, a board member of the Software Freedom Law Center, an advisory board member of the Sunlight Foundation and a former board member of the Electronic Frontier Foundation.
Biography information from Wikiquote
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"Existe um outro motivo para o fato dos blogs terem um ciclo de vida diferente dos principais meios de comunicação. Como Dave Winer, um dos pais desse movimento e um desenvolvedor de software por várias décadas, me disse, uma outra diferença é a ausência de "conflitos de interesses" provocados por motivos financeiros. "Eu penso que você tem que remover esse conflito de interesses" do jornalismo, Winer me disse. "Um jornalista amador simplesmente não tem tal conflito de interesses, ou o conflito de interesses é tão facilmente detectável que você pode o remover do caminho facilmente"."
The danger in media concentration comes not from the concentration, but instead from the feudalism that this concentration, tied to the change in copyright, produces. It is not just that there are a few powerful companies that control an ever expanding slice of the media. It is that this concentration can call upon an equally bloated range of rights — property rights of a historically extreme form — that makes their bigness bad.
If “piracy means using the creative property of others without their permission- if “if value, then right” is true- then the history of the content industry is a history of piracy. Every important sector of “big media” today- film, records, radio, and cable TV-was born of a kind of piracy so defined. The consistent story is how last generation’s pirates join this generation’s country club-until now.