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In a valley sweet with singing From the hill and from the wood, Where the green moss rills were springing, A wondrous maiden stood. The first lark se… - Letitia Elizabeth Landon
" "In a valley sweet with singing
From the hill and from the wood,
Where the green moss rills were springing,
A wondrous maiden stood.
The first lark seemed to carry
Her coming through the air ;
Not long she wont to tarry,
Though she wandered none knew where.
English
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About Letitia Elizabeth Landon
Letitia Elizabeth Landon (August 14, 1802 – October 15, 1838) was an English poet and novelist, better known by her initials L. E. L. She was one of the richest sources of epigrams in the early nineteenth century and one reviewer compared her to Rochefoucauld. Sometimes she adopts an adversarial role, giving contradictory viewpoints. Some of her thoughts recur, either developed or refined, but over time she also threw out differing opinions on some subjects; changeability, she argues, is one of our principal traits and, as she has one character remark, truth is like the philosopher's stone, a thing not to be discovered.
Also Known As
Pen Names:
L.E.L.
•
Iole
Native Name:
Letitia Landon
Alternative Names:
L. E. L.
•
Letitia Maclean
•
Letitia Elizabeth Maclean
•
Landon
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Additional quotes by Letitia Elizabeth Landon
I always wish, in reading my favourite poets, to know what first suggested my favourite poems. Few things would be more interesting than to know under what circumstances they were composed, — how much of individual sentiment there was in each, or how, on some incident seemingly even opposed, they had contrived to ingraft their own associations. What a history of the heart would such annals reveal ! Every poem is in itself an impulse.
For a discussion of some of the contents of this significant cultural volume, see Adriana Craciun, ‘Fatal Women of Romanticism’, Cambridge University Press, 2004, page 204. The section ‘The Enchantress’ here begins by describing that first story as a ‘self-consciously Byronic text’ that ‘develops a Promethean, distinctly Luciferian model of poetic identity and self-creation’.
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