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" "How capitalism finds its substance and its essence in the living work, in such a way that it comes exclusively from it, can't go without it, lives only drawing at each time its life from that of the worker, life that then becomes his own, this is what expresses in the whole work of Marx the theme of vampire. "Capitalism is dead work which, such as a vampire, animates itself only in sucking the living work and the more it pumps, the more its life is cheerful".
Michel Henry (10 January 1922 – 3 July 2002) was a French philosopher, phenomenologist and novelist. He wrote five novels and numerous philosophical works. He also lectured at universities in France, Belgium, the United States, and Japan. His novel L'amour les yeux fermés (Love With Closed Eyes) has won the Renaudot Prize in 1976.
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The fact that this weight [of existence] becomes too heavy and that it can be experienced as a weight and as an unbearable weight, is due to the fact that it is impossible for life to undo that with which it has been burdened, that is to say, itself. [...] Culture is the set of enterprises and practices in which the overflowing of life is expressed. All of them are motivated by the "burden", the "too much" that prepares living subjectivity internally as a force ready to be dispensed and required to act under this burden.
The second mask worn in the refusal to take into consideration the cultural specificity of the tasks and the condition of the university is the argument of utility. This one is dear to parents. Don't studies serve the purpose of getting a job? Truly speaking, as the development of the potential of individual subjectivity through repeated practice and the transmission of knowledge, teaching helps those who benefit from it to become suited for a certain number of activities, for perfecting their abilities as well as acquiring new ones. It is evident that the more the level of this teaching is raised, the greater are the choices and the number of "outlets" provided. The idea, to the contrary, of limiting knowledge to what will actually be put into practice is both criminal and contradictory. It is contradictory due to the fluctuation of demand in an evolving world and thus to the necessity of constant adaptation. This ability to adapt is a function of one's degree of intelligence as well as the extent of one's mastered knowledge. It is criminal because it signifies the stoppage of the individual's potential development. It is the deliberate reduction of one's being to the condition of a cog in the techno-scientific machine.
By putting out of play not only the lifeworld but, more seriously, life itself or what we are, the play of knowledge is laden with significant consequences from the outset. If the auto-transformation and growth of culture is the business of life, what we have only glimpsed now appears with a striking clarity: since science has no relation to culture, the development of science has nothing to do with the development of culture. At the limit, one can imagine an extreme development of scientific knowledge that would go along with an atrophy of culture, with its regression in some domains or in all domains at once and, at the end of this process, its annihilation. This image is neither ideal nor abstract. It is the actual world we live in, a world which has just given rise to a new type of barbarism that is more serious that any that have preceded it and from which human beings risk dying from today.