It prescribes five daily sacrifices, pancha mahayajnas... The first yajna is Self-knowledge and self-study.. This is called bhrama-yajna... Daily rea… - Ram Swarup

The fact is that Christian art failed at a deeper level. It failed not in execution but in conception and vision, and this failure was at bottom failure of Christian theology in which mysticism is rudimentary and peripheral. Christian theology has no concept of transcendence, non-attachment, recollectedness, equality (samatâ), liberation (moksha), the vast (bhûmâ) and the infinite (ananta), compassion (kurunâ), of cosmic action emanating from restfulness at the centre; therefore, it felt no call to try to convey them in its art-forms. A deeper iconography needed the support of a deeper theology and vision. This explains why Christian art has no equivalents of Far Eastern Buddhas and Bodhisattvas as Huxley notices. The Eastern tradition was shaped by Hindu religious thinking and sensibility. Hindu art tried to portray the inner man: the Man behind the man, the Eye behind the eye, the Seeing behind the seeing, man's inner prânika or life-currents, the nodal points in his subtle body where the individual meets the cosmic. It portrayed man's inner physiognomy. .... But they portrayed the external man; there was no portrayal of the inner man, the luminous man, the transcendental man.

For liberation, one enters into another territory called nirvana-bhumi by the Buddhists and nirodha-bhumi by Patanjala Yoga. But between this and the previous stage there is an intermeditate ground, a no man's land. It is at the apex of samprjnata samadhi and at the beginning of asmaprajnata samadhi. ... Here by sustained practice of the Yoga of discrimination or viveka-khyati, which separates the seer from the seen and the instruments of seeing, Purusha is seen for the first time as separate from Prakriti.... When this knowledge arises, the asmita klesa is destroyed. ... But when the chitta or the buddhi knows that it merely reflects a light which belongs to someone othere than iteself, the spiritual man is born. The asmita klesa, known as the heart-knot in the Upanishads is destroyed.... But what we have called the intermediate no man's land above has a rough and ready sort of Buddhist analogue in its eighth samapatti: naivasamjna nasmajna, neither knowing nor unknowing. It means the samsara has ended but the nirvana has not begun; the mind has ended but the Self has not begun. What is called asamjna here is called asamprjnata in Patanjala Yoga.(p. 83 ff)

Vyasa, the great commentator of Yogadadana, does somewhat better. He tells us that mind has five habitual states or planes (bhumis): mudha (dull or inert), kshipta (restless, or probably it is samkshipta and means contracted), vikshipta (scattered), ekagra (one-pointed), and niruddha (stopped). He makes a further pregnant statement that samlidhi is natural to mind and it can take place on all bhamis (sarvabhauma); but he adds a warning that the samlidhis of the first three bhUmis are non-yogic and only the samlidhis of the last two bhUmis are yogic. Only the yogic samlidhi leads to spiritual development.