It should surprise no one that the life of the writer — such as it is — is colorless to the point of sensory deprivation. Many writers do little else… - Annie Dillard
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It should surprise no one that the life of the writer — such as it is — is colorless to the point of sensory deprivation. Many writers do little else but sit in small rooms recalling the real world. This explains why so many books describe the author's childhood. A writer's childhood may well have been the occasion of his only firsthand experience.
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About
Annie Dillard
Annie Dillard (born 30 April 1945) is an American author born in Pittsburgh, Pennsylvania. She won the Pulitzer Prize for her non-fiction narrative Pilgrim at Tinker Creek in 1974. She has since published ten other books. Her most recent is the novel The Maytrees (June 2007).
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Wikimedia Commons, Photo by Phyllis Rose (CC BY-SA)
The written word is weak. Many people prefer life to it. Life gets your blood going, and it smells good. Writing is mere writing, literature is mere.
"Why do you never find anything written about that idiosyncratic thought you advert to, about your fascination with something no one else understands? Because it is up to you. There is something you find interesting, for a reason hard to explain. It is hard to explain because you have never read it on any page; there you begin. You were made and set here to give voice to this, your own astonishment. "The most demanding part of living a lifetimes as an artist is the strict discipline of forcing oneself to work steadfastly along the nerve of one's own most intimate sensitivity." Anne Truitt, the sculptor, said this. Thoreau said it another way: know your own bone. "Pursue, keep up with, circle round and round your life....Know your own bone: gnaw at it, bury it, unearth it, and gnaw at it still.
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There is no such thing as an artist: there is only the world lit or unlit as the light allows. When the candle is burning, who looks at the wick? When the candle is out, who needs it?