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" "The temple today is 55 feet tall. Before its upper part was destroyed on Aurangzeb's orders in anticipation of his visit to Vrindavan in 1670 AD, the mandir was reputed to be twice that height. On its roof, after the destruction, a mehrab or prayer wall was erected and the iconoclastic emperor offered namaaz. Almost two centuries later, F.S. Growse, who belonged to the Bengal Civil Service and was Collector of Mathura District, had the mehrab removed. First, because it was an eyesore, and second, in an endeavour to redeem whatever character was left of the temple. Although the original idol remained at Jaipur, another set of deities was installed by the pujaris or priests. Since then, the temple has a flat roof. Probably, no other desecrated temple had been the subject of so much repair and refurbishment by British rulers. Of supreme importance was the fact of the mandir being restituted to Hindu devotees. It was the greatest act of shuddhi or purification although performed before Swami Dayanand Saraswati reintroduced Vedic procedures.... The Gobind Dev temple at Vrindavan, Mathura, is indeed massive its plinth is 105 feet by 117 feet. It is estimated that the original height was about 110 feet without which it would not have been possible to see the mashaal or torch either from Agra or from Delhi. The temple was built in 1590 AD by Maharaja Mansingh of Jaipur.
Praful Dwarkadas Goradia is a politician from Akhil Bharatiya Jan Sangh party. He was a Member of the Parliament of India representing Gujarat in the Rajya Sabha, the upper house of the Parliament from 1998 to 2000 as member of Bharatiya Janata Party. Currently, he is general secretary of the Akhil Bharatiya Jan Sangh.
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However, to avoid giving a religious or a communal colour to the shuddhi or reconversion, the idol installed in the sanctum sanctorum was that of Bharat Mata. It is therefore now known as the Bharat Mata temple, although for 700 years it had been called Jami masjid. The mandir was built on a plan not dissimilar to Palitana in Gujarat and Dilwara at Mount Abu, Rajasthan. There is a large courtyard. There were the usual traditional 52 pillars as in Jain places of worship. At the western end was a hall, typical of an ancient temple. A flat roof was held aloft by 152 stone pillars. The author and his colleagues during their visit in 200-1 were told on authority that the pillars were constructed according to the Himar Panti style of architecture, one of whose special characteristics was the interlocking of stones without the use of any cementing material.
Lane Poole's thesis iterates that in most cases, the destruction perpetrated by the invaders on the Hindu capital cities was conclusive enough to see their permanent end. Kannauj is an outstanding example. So was Ujjain, Gaur, the ancient capital of Bengal, and Ajmer. The ruling elites, Rajputs or others, evidently saw no future in a revival and migrated to other areas. Rajputana offered an useful sanctuary because of the Aravalli hills as well as stretches of desert which made defence against Islamic aggression possible. The arrival of Raja Jaichand's grandson in Marwar is an example.
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The pillars are some 30 feet high gorgeously carved either with exquisite designs up to a height of about 26 feet, thereafter adorned with delicate figurines . Uncannily, there is not a single figure whose face has not been cut off. Nowhere in Europe does one see such acts of vandalism, except what the original barbarian vandals themselves perpetrated under their king Gaiseric, in the wake of the conquest of Rome in 455AD. Hereafter, the word vandal became synonym with wilful desecration and destruction. The figurines on all the relics on display at the Rajputana Museum as well as those salvaged by the Archaeological Survey of India (ASI) duly locked in the compound of the Jhopra have been systematically defaced. Amongst the thousands of stone heads, not a single nose or an eye is visible.