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" "The temple today is 55 feet tall. Before its upper part was destroyed on Aurangzeb's orders in anticipation of his visit to Vrindavan in 1670 AD, the mandir was reputed to be twice that height. On its roof, after the destruction, a mehrab or prayer wall was erected and the iconoclastic emperor offered namaaz. Almost two centuries later, F.S. Growse, who belonged to the Bengal Civil Service and was Collector of Mathura District, had the mehrab removed. First, because it was an eyesore, and second, in an endeavour to redeem whatever character was left of the temple. Although the original idol remained at Jaipur, another set of deities was installed by the pujaris or priests. Since then, the temple has a flat roof. Probably, no other desecrated temple had been the subject of so much repair and refurbishment by British rulers. Of supreme importance was the fact of the mandir being restituted to Hindu devotees. It was the greatest act of shuddhi or purification although performed before Swami Dayanand Saraswati reintroduced Vedic procedures.... The Gobind Dev temple at Vrindavan, Mathura, is indeed massive its plinth is 105 feet by 117 feet. It is estimated that the original height was about 110 feet without which it would not have been possible to see the mashaal or torch either from Agra or from Delhi. The temple was built in 1590 AD by Maharaja Mansingh of Jaipur.
Praful Dwarkadas Goradia is a politician from Akhil Bharatiya Jan Sangh party. He was a Member of the Parliament of India representing Gujarat in the Rajya Sabha, the upper house of the Parliament from 1998 to 2000 as member of Bharatiya Janata Party. Currently, he is general secretary of the Akhil Bharatiya Jan Sangh.
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Rich treasures of sculpture were thus salvaged. Some of the statues were particularly splendid; some were as high as eight feet. The work of the archaeologists, however, did not last long. The ASI soon received instructions to stop further work. The officer of the ASI working on the excavations was transferred, as was the collector. Whether this had anything to do with the new Human Resource Development Minister, Arjun Singh, I 99 1-94, who happened to be the leader of the self-styled secular lobby in Madhya Pradesh, is not known. Since then, the Bijamandal mosque is marking time with a great deal of sculpture hidden under its southern side.
There are some 20 alcoves in the northern wall. They all give the impression of temp le carvings. If there be any doubt, it is set at rest by what was used as mimbar or the pulpit for the Imam . The face of t he last step is covered with carvings of two female figures which, of course, have been defaced but are still unmistakably human statuettes.
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According to Luard,35 the inscriptions on the eastern and northern _gates indicate that the mosque was inaugurated by Amid Shah Daud Ghori, also known as Dilawar Khan, on January 17, 1405. The word "inaugurated" has been intentionally used, instead of Luard's use of "erected" because, evidently, the edifice is a mandir converted into a masjid. Incidentally, Emperor Jehangir called it Jami masjid. The Lat masjid has no minarets nor the traditional hauz in which the devotee can wash his hands and feet before performing namaz. It is a large rectangular pavilion with a great deal of open space in the centre. The four sided pavilion originally stood on some 300 square shaped stone pillars. On conversion by Dilawar Khan, the spaces between the outermost row of pillars were evidently filled with a wall somewhat thinner than the pillars. The entire scene is reminiscent of a temple rather than a mosque. However, such a feeling is not evidence enough of conversion by Dilawar Khan. Any number of pillars, however, on the eastern or the end opposite to where the mehrab and the mimbar are, have at their lower end, defaced carvings of murtis reminiscent of Vishnu. Every effort has been made on most such pillars to erase the statuettes but the outline of the murti is clearly seen. For example , the pillar at the corner of the eastern and the northern end has two statuettes on two faces of the pillar. Similarly, on the next pillar. Then coming to the south-eastern corner, every pillar bears Vishnu's image outline. All this shows that the Lat masjid is a blatant case of conversion from a mandir. It is not like several thousand mosques which were built with stones and statues, taken from demolished mandirs.