The desert landscape is always at its best in the half-light of dawn or dusk. The sense of distance lacks: a ridge nearby can be a far-off mountain r… - Paul Bowles

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The desert landscape is always at its best in the half-light of dawn or dusk. The sense of distance lacks: a ridge nearby can be a far-off mountain range, each small detail can take on the importance of a major variant on the countryside's repetitious theme. The coming of day promises a change; it is only when the day had fully arrived that the watcher suspects it is the same day returned once again — the same day he has been living for a long time, over and over, still blindingly bright and untarnished by time.

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About Paul Bowles

Paul Bowles (30 December 1910 – 18 November 1999) was a composer, author, and traveler.

Biography information from Wikiquote

Also Known As

Alternative Names: Paul Frederic Bowles

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Additional quotes by Paul Bowles

"You know," said Port, and his voice sounded unreal, as voices are likely to do after a long pause in an utterly silent spot, "the sky here's very strange. I often have the sensation when I look at it that it's a solid thing up there, protecting us from what's behind."

Kit shuddered slightly as she said: "From behind?"
"Yes."
"But what is behind?" Her voice was very small.
"Nothing, I suppose. Just darkness. Absolute night."

These were the first moments of a new existence, a strange one in which she already glimpsed the element of timelessness that would surround her. The person who frantically has been counting the seconds on his way to catch a train, and arrives panting just as it disappears, knowing the next one is not due for many hours, feels something of the same sudden surfeit of time, the momentary sensation of drowning in an element become too rich and too plentiful to be consumed, and thereby made meaningless, non-existent.

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Having arrived at this point, he had found no direction in which to go save that of further withdrawal into a subjectivity which refused existence to any reality or law but its own. During these postwar years he had lived in solitude and carefully planned ignorance of what was happening in the world. Nothing had importance save the exquisitely isolated cosmos of his own consciousness. Then little by little he had had the impression that the light of meaning, the meaning of everything was dying. Like a flame under a glass it had dwindled, flickered and gone out, and all existence, including his own hermetic structure from which he had observed existence, had become absurd and unreal.

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