European art [however] has developed from mimetic-ism and only today is arriving at an elementary plastic art. - Theo van Doesburg
" "European art [however] has developed from mimetic-ism and only today is arriving at an elementary plastic art.
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About Theo van Doesburg
Theo van Doesburg (30 August 1883 – 7 March 1931) was a Dutch artist, practicing in painting, writing, poetry and architecture. He is best known as the founder and leader of De Stijl together with Piet Mondrian. Later he engaged himself more with Dadaism, in cooperation with Kurt Schwitters and Hans Arp.
Also Known As
Alternative Names:
Christiaan Emil Maria Kupper
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I. K. Bonset
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Christiaan Emil Maria Kupper Doesburg
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Christian Emil Marie Kupper
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Theo Van Doesburg
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Christiaan Emil Marie Küppers
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Aldo Camini
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C. E. M. Küpper
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Christian Emil Marie Küpper
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I.K. Bonset
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Doesburg
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Theo van Doesburg (Christian Emil Marie Küpper)
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in de stijl van Theo van Doesburg
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Additional quotes by Theo van Doesburg
Marinetti's [leading Futurism founder and theorist] Tactilism can be seen as an instinctive effort in this direction [of the new architecture, according to Van Doesburg] even if it presents only the sensuous-tactile expression of space through using various materials. Picasso's earlier compositions in various materials also concerns us here. The Russian artists [ Tatlin and Lissitzky, both Constructivist artists] also appreciated the exterior quality of the plane, not only optical, but also in a tactile manner.. .Intuition already produced a foreknowledge of these new realms, but they can be established fully only by science.
Only a radical cleaning of social and artistic life as, in the domain of art, is already done by Dada, which is anti-sentimental and healthy to the core, since it is anti-art. Only unscrupulously striking down any systematically bred amateurism in any field, can prepare civilization for the 'New Vision's happiness which is greatly and purely alive in a dew people.
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For – to say a few words on technique – whereas the curved line was used predominantly for reasons of beauty, (Phidias, Michelangelo, Raphael, Rubens) it has been used more and more economically for reasons of truth (Millet, Claude Monet, Paul Cézanne) until it will end as the straight line for reasons of Love. This will enable the art of the future to create an international form; a form understandable to all and vital enough to the expression of a general feeling of love in a monumental way. Such is the future.
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