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" "One’s emotions are one’s own; to suggest that others should imitate them is to impose on the personal integrity of others.
Paula Gunn Allen (October 24, 1939 – May 29, 2008) was an American poet, literary critic, activist, professor, and novelist. Of mixed-race European-American, Native American, and Arab-American descent, she identified with her mother's people, the Laguna Pueblo and childhood years. She drew from its oral traditions for her fiction poetry and also wrote numerous essays on its themes. She edited four collections of Native American traditional stories and contemporary works and wrote two biographies of Native American women. In addition to her literary work, in 1986 she published a major study on the role of women in American Indian traditions, arguing that Europeans had de-emphasized the role of women in their accounts of native life because of their own patriarchal societies. It stimulated other scholarly work by feminist and Native American writers.
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Through all the centuries of war and death and cultural and psychic destruction have endured the women who raise the children and tend the fires, who pass along the tales and the traditions, who weep and bury the dead, who are the dead, and who never forget. There are always the women, who make pots and weave baskets, who fashion clothes and cheer their children on at , who make fry bread and bread, and corn soup and chili stew, who dance and sing and remember and hold within their hearts the dream of their ancient peoples—that one day the woman who thinks will speak to us again, and everywhere there will be peace. Meanwhile we tell the stories and write the books and trade tales of anger and woe and stories of fun and scandal and laugh over all manner of things that happen every day. We watch and we wait. My great-grandmother told my mother: Never forget you are Indian. And my mother told me the same thing. This, then, is how I have gone about remembering, so that my children will remember too.
Underlying all their complexity, traditional American Indian literatures possess a unity and harmony of symbol, structure, and articulation that is peculiar to the American Indian world. This harmony is based on the perceived harmony of the universe and on thousands of years of refinement. This essential sense of unity among all things flows like a clear stream through the songs and stories of the peoples of the western hemisphere. [...] It remains for scholars of American Indian literature to look at this literature from the point of view of its people. Only from this vantage can we understand fully the richness, complexity, and true meaning of a people’s life; only in this way can we all learn the lessons of the past on this continent and the essential lesson of respect for all that is.
The vision that impels feminists to action was the vision of the Grandmothers' society, the society that was captured in the words of the sixteenth-century explorer Peter Martyr nearly five hundred years ago. It is the same vision repeated over and over by radical thinkers of Europe and America, from François Villon to John Locke, from William Shakespeare to Thomas Jefferson, from Karl Marx to Friedrich Engels, from Benito Juarez to Martin Luther King, from Elizabeth Cady Stanton to Judy Grahn, from Harriet Tubman to Audre Lorde, from Emma Goldman to Bella Abzug, from Malinalli to Cherrie Moraga, and from to me. That vision as Martyr told it is of a country where there are "no soldiers, no gendarmes or police, no nobles, kings, regents, prefects, or judges, no prisons, no lawsuits... All are equal and free," or so Friedrich Engels recounts Martyr's words.