War and fights, like courtship and kisses, are seldom interesting except to the actors and their connexions; hence I will not burden my readers with … - Alexander Bryan Johnson

The old lady Felderal had long railed at the emperor for not declaring war. She pretended that he feared to call on his subjects for the requisite means, lest their avarice, stronger than their patriotism, should depose him. When, however, war was declared, and the emperor's forces were victorious, she became enamoured of peace, and maintained that a moral and religious people ought not to rejoice at victories purchased by the sacrifice of human life. She invented a song, whose burden was "the golden days of commercial prosperity," and she organized a peace society, whose tenets compelled the members not to fight even an invading army. Finally, as these expedients failed to destroy the emperor, she collected the most desperate of her adherents, to concert means for tying his hands behind his back, "peaceably if they could, forcibly if they must," and delivering him to the king of Glanden.

Whoever estimates the sensible sameness by the verbal identity of their common name will commit the error of mistaking for physical what is only intellectual. ...the sensible signification of language is strictly limited by the sensible knowledge of the hearer.

No contrast is greater than a man on the pinnacle, erect in stature, confident, supercilious; and the same man in the pit, bent, irresolute, and servile. Some observers insist that, in the pit, a man usually loses his moral principles; but, on the pinnacle, is virtuously inclined, sensitive of reputation, faithful of trusts.