In this cosmic arena, Luo Ji faced not the fancy moves of Chinese sword fighting, resembling dance more than war; nor the flourishes of Western sword… - Liu Cixin

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In this cosmic arena, Luo Ji faced not the fancy moves of Chinese sword fighting, resembling dance more than war; nor the flourishes of Western sword fighting, designed to show off the wielder’s skill; but the fatal blows of Japanese kenjutsu. Real Japanese sword fights often ended after a very brief struggle lasting no more than half a second to two seconds. By the time the swords had clashed but once, one side had already fallen in a pool of blood. But before this moment, the opponents stared at each other like statues, sometimes for as long as ten minutes. During this contest, the swordsman’s weapon wasn’t held by the hands, but by his heart. The heart-sword, transformed through the eyes into the gaze, stabbed into the depths of the enemy’s soul. The real winner was determined during this process: In the silence suspended between the two swordsmen, the blades of their spirits parried and stabbed as soundless claps of thunder. Before a single blow was struck, victory, defeat, life, and death had already been decided.

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About Liu Cixin

Liu Cixin (born June 23, 1963) is a Chinese science fiction writer.

Biography information from Wikiquote

Also Known As

Alternative Names: Cixin Liu Liu Ci Xin Da Liu Big Liu Daliu Liu Da Liucixin Liu Ci-Xin Ci-Xin Liu
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Is it possible that the relationship between humanity and evil is similar to the relationship between the ocean and an iceberg floating on its surface? Both the ocean and the iceberg are made of the same material. That the iceberg seems separate is only because it is in a different form. In reality, it is but a part of the vast ocean.… It was impossible to expect a moral awakening from humankind itself, just like it was impossible to expect humans to lift off the earth by pulling up on their own hair. To achieve moral awakening required a force outside the human race.

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