I'm a little nervous about saying anything about "the Artist" because it kind of sticks him right between the eyes, but he deserves it. Warhol really… - Edie Sedgwick

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I'm a little nervous about saying anything about "the Artist" because it kind of sticks him right between the eyes, but he deserves it. Warhol really fucked up a great many people's - young people's - lives. My introduction to heavy drugs came through the Factory. I liked the introduction to drugs I received. I was a good target for the scene; I blossomed into a healthy young drug addict.

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About Edie Sedgwick

Edith Minturn "Edie" Sedgwick (20 April 1943 – 16 November 1971) was an American actress, socialite, and heiress who starred in many of Andy Warhol's short films in the 1960s.

Also Known As

Birth Name: Edith Minturn Sedgwick
Alternative Names: Edith Minturn "Edie" Sedgwick Edith Minturn Sedgwick Post Edith Minturn
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Additional quotes by Edie Sedgwick

Oh, wow, what a scene that place was - that heavenly drug down sexual perversion get their rocks off health spa. I was already so bombed I don't know how I got there. I got down to the pool, where all the freaks were. I met Paul America at the pool and I told him we were probably in danger if we stayed, but we were so blasted we forgot what was good for us and what wasn't, and the whole place turned into a giant orgy . . . every kind of sex freak, from homosexuals to nymphomaniacs . . . oh, everybody eating each other on the raft, and drinking, guzzling tequila and vodka and Scotch and bourbon and shooting up every other second . . . losing syringes down the pool drains, the needles of the mainline scene, blocking the water infiltration system with broken syringes. Oh, it was really some night just going on an incredible sexual tailspin. Gobble, gobble, gobble. Couldn't get enough of it. It was one of the wildest scenes I've ever been in or ever hope to be in. I should be ashamed of myself. I'm not, but I should be. Sex and speed, wow! Like, oh God. A twenty-four-hour climax that can go on for days. And there's no way to explain it unless you've been through it; there's no way to tell anyone who hasn't tasted it. I'd like to turn on the whole world for just a moment . . . just for a moment. I'm greedy; I'd like to keep most of it for myself and a few others, a few of my friends . . . to keep that superlative high, just on the cusp of each day . . . so that I'd radiate sunshine.

Dr. Roberts says, "Hello, girls . . . how are we today? Are you all ready? Okay. Hop up. Put all your weight on this leg. Okay? ready? My god, this rear end looks like a battlefield." You went to hear something I wrote about the horror of speed? Well, maybe you don't but the nearly incommunicable torments of speed, buzzerama, that acrylic high, horrorous, yodeling, repetitious echoes of an infinity so brutally harrowing that words cannot capture the devastation nor the tone of such a vicious nightmare. Yes, I'm even getting paranoid, which is a trip for me. I don't really dig it, but there it is. It's hard to choose between the climactic ecstasies of speed and cocaine. They're similar. Oh, they are so fabulous. That fantabulous sexual exhilaration. Which is better, coke or speed? It's hard to choose. The purest speed, the purest coke, and sex is a deadlock. Speeding and booze. That gets funny. You get chattering at about fifty miles an hour over the downdraft, and booze kind of cools it. It can get very funny. Utterly ridiculous. It's a good combination for a party. Not for an orgy, though. Speedball! Speed and heroin. That was the first time I had a shot in each arm. Closed my eyes. Opened my arms. Closed my fists, and jab, jab. A shot of cocaine and speed, and a shot of heroin. Stripped off all my clothes, leapt downstairs, and ran out on Park Avenue and two blocks down it before my friends caught me. Naked. Naked as a lima bean. A speedball is from another world. It's a little bit dangerous. Pure coke, pure speed, and pure sex. Wow! The ultimate in climax. Once I went over to Dr. Roberts for a shot of cocaine. It was very strange because he wouldn't tell me what it was and I was playing it cool. It was my first intravenous shot, and I said, "Well, I don't feel it." And so he gave me another one, and all of a sudden I went blind. Just flipped out of my skull! I ended up wildly balling him. And flipping him out of his skull. He was probably shot up . . . he was always shooting up around the corner anyway.

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You care enough, that you want your life to be fulfilled in a living way, not in a painting way, not in a writing way...you really do want it to be involving in living, corresponding with other living objects, moving, changing, that kind of thing.

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