I've been lucky since I've had this job, getting two amazingly dramatic moments like that. You sort of had a license to go to nine or ten on the Richter scale.

I'm very fortunate I was in a couple of movies that really resonated with women and sort of struck a nerve,'

We have made street plays on social issues and caste discrimination was one of them. Apart from that, I have been supporting an NGO in Delhi. I did all this before ‘Article 15’ came into the picture.

Relatively speaking, there’s no film that I feel like, “Oh, I really wish I had done that.” Because there are a lot of proposals and I was just in a really fortunate situation where I could just choose good screenplays, and there was no work that I kind of wanted but never been proposed. So I’m very lucky.

Obviously I think I've been very lucky, to start off with such a good break, and to have a film that not only was a hit but where I didn't have to compromise … in terms of doing a mindless movie — it was also a movie, for me as an actor which was very fulfilling…

I’ve been very lucky. Most of my career I’ve been considered an up-and-comer, which is sort of funny sometimes when you’re an up-and-comer after 15 years. But I’m really grateful because it makes me feel like I’ve been on this slow climb, and I feel very grateful to be still rising and still trying to reach my potential. There’s been times where it’s been scary. Every actor has those moments when you think this is your last project and no one is going to pick up the phone for you again. I go through that all the time, but then somehow something always comes along and it reinvigorates your spirit and carries you through the next phase. So I always keep that confidence that it’s going to happen even in the dark moments. That’s worked for me so far. Maybe I’ll still be an up-and-comer in five years, and I’ll be OK with that.

Because I am a courageous woman, and the film's script was very powerful. It presented the truth, and we, Arab and Muslims in general, are afraid of the truth about us. We refuse to look at ourselves in the mirror.

I staggered through my career and came out the other end, alive. I made some films that meant something to me. In my opinion, they weren’t all great, and they weren’t all successful, but they sure were ‘me’. And this is what I was going through or thinking or feeling as a director at the time, and I’m very proud of them. A lot of great directors just never had the chance to have their work appreciated and celebrated and watched, all these years after they were made. So, man, what do you want out of life? It’s great!

There's so much I would have loved to have seen. The positives? I've been lucky in that I've had such a good life. Simple as that. My first 30 years were pretty damn good and the last 30, since I got published, have been absolutely brilliant. I've so many good friends and been part of a wonderful extended family and I'll leave behind a substantial body of work."

I sometimes think I should have made it after many other films, at the end of my career. [...] I remember saying to myself, how can I make a better film? But it was also exactly the film I had to make then. It says something about a woman, about a way of living a life, about life after the war. It was the first thing I had to pour out of myself. [...] I would have changed nothing about it.

Back when I was lucky,

I've been very fortunate throughout my career. And I've been lucky enough to have worked with some great and talented people, like Price and Serling. I was just a part of the whole phenomenon coming together. They were exciting times that bubbled over with energy for all those involved.