(KASJ: What kinds of real-life events are useful for fiction?) JH: All of it is useful. It's very personal what will move one artist and what will mo… - Jessica Hagedorn

When I was a young activist writer in the Bay Area, I thought I had all the answers. Sometimes I was right, and a lot of times I was just plain ignorant and wrong. There were a few positive things that came from my impatience, energy and anger: I dared to do things with my artistic comrades that hadn’t been done before. We came together in writing collectives to make books because most writers of color were not being published at the time. We didn’t know how to publish, but we learned how to do it guerrilla-style. We organized readings, performances and concerts, made posters and came out to support each other big-time. We brought the noise. And got it done. It all boils down to that old cliche: believe in yourself. Trust in your creative vision and the power of your distinct writer’s voice. (2022)

By saying that all my characters have a little bit of me in them, I mean that I try to be invested and empathetic in all my characters—whether they are principal or secondary, deeply flawed and not very “nice.” If you’re in tune with your story then the characters do come at you organically. There isn’t an order to how they might appear.

It will never end, I hope-whatever "it" is. The gift, the quest, the visions, the dreams in secret languages. The songs and the storytelling. It will never end; it is still writing itself.