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We get very few of he true images in our heads of the kind I am talking about, the kind which become more and more vivid for us as if the passage of … - Robert Penn Warren
" "We get very few of he true images in our heads of the kind I am talking about, the kind which become more and more vivid for us as if the passage of the years did not obscure their reality but, year by year, drew off another veil to expose a meaning which we had only dimly surmised at first. Very probably the last veil will not be removed, for there are not enough years, but the brightness of the image increases and our conviction increases that the brightness is meaning, or the legend of meaning, and without the image our lives would be nothing except an old piece of film rolled on a spool and thrown into a desk drawer of unanswered letters.
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About Robert Penn Warren
Robert Penn Warren (April 24 1905 – September 15 1989) was an American poet, novelist, and literary critic, and one of the founders of New Criticism. He was also a charter member of the Fellowship of Southern Writers. He received the 1947 Pulitzer Prize for the Novel All the King's Men (1946) and in 1957 and 1979, the Pulitzer Prize for Poetry. He is the only person to have won Pulitzer Prizes for both fiction and poetry.
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If, in the middle of World War II, a general could be writing a poem, then maybe I was not so irrelevant after all. Maybe the general was doing more for victory by writing a poem than he would be by commanding an army. At least, he might be doing less harm. By applying the same logic to my own condition, I decided that I might be relevant in what I called a negative way. I have clung to this concept ever since — negative relevance. In moments of vain-glory I even entertain the possibility that if my concept were more widely accepted, the world might be a better place to live in. There are a lot of people who would make better citizens if they were content to be just negatively relevant.
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You meet somebody at the seashore on a vacation and have a wonderful time together. Or in a corner at a party, while the glasses clink and somebody beats on a piano, you talk with a stranger whose mind seems to whet and sharpen your own and with whom a wonderful new vista of ideas is spied. Or you share some intense or painful experience with somebody, and discover a deep communion. Then afterward you are sure that when you meet again, the gay companion will give you the old gaiety, the brilliant stranger will stir your mind from its torpor, the sympathetic friend will solace you with the old communion of spirit. But something happens, or almost always happens, to the gaiety, the brilliance, the communion. You remember the individual words from the old language you spoke together , but you have forgotten the grammar. You remember the steps of the dance, but the music isn’t playing any more. So there you are.
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