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" "The title came from us being on the L.A. freeway about three years ago. I just started looking at the traffic and realizing there was such an array of vehicles, from Mexicans in f---ed-up Chevys with dents and white guys in f---ed-up pickup trucks to guys with orange sun-bed tans in Porches and limos. And you'd always see these f---ed-up cars on the side of the road. The idea of seeing a couple of limos smashed into one another, I'd never seen that before, and I thought these people in expensive cars - especially the limos where the windows are blacked out and someone else is driving - they seem to have a feeling that they're not susceptible to mortality. During our trip down the freeway, I was talking to this guy who drove a limo, and he said that once this guy was in the back and some supposed vagrant came up and started knocking on the window. The guy opened the door like, "F--- you, you can't touch me, I'm in a limo." And a bunch of other vagrants came up and beat the shit out of the guy, almost killed him. The song describes that sort of decadence and this strange perception that you're so high on the social or political ladder that you're somehow beyond all that. But it's not true.
Chris Cornell (20 July 1964 – 18 May 2017) was an American guitarist/singer-songwriter most well-known for being the lead singer of the bands Soundgarden, Audioslave and Temple of the Dog. He began his musical career as a drummer, before moving on to become a singer and guitarist.
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I think that in a lot of ways the Seattle scene was a turn-the-gun-on-itself scene. It was being born out of the punk rock bible, where being a rock star is a bad thing. So we couldn't enjoy our success because we weren't really supposed to. You had to pretend success was fucked. We all became very self-conscious. I wish now that we'd had a better attitude about it.
To be honest, it doesn't really make any difference to me. I'm not trying to be negative about it. The one thing about inducting Heart was that I was actually really moved by their fans, and the fans were the people in the cheap seats that were screaming, and they were outside saying hi every time you'd come and go over the course of the two days. That was when it made sense to me, that it matters to the fans, and if it matters to the fans, then I think it matters. But they deserve ownership of it.