Everyone suddenly burst out singing; And I was filled with such delight As prisoned birds must find in freedom. - Siegfried Sassoon

To The Warmongers

I'm back again from hell
With loathsome thoughts to sell;
secrets of death to tell;
And horrors from the abyss.

Young faces bleared with blood
sucked down into the mud,
You shall hear things like this,
Till the tormented slain

Crawl round and once again,
With limbs that twist awry
Moan out their brutish pain,
As the fighters pass them by.

For you our battles shine
With triumph half-divine;
And the glory of the dead
Kindles in each proud eye.

But a curse is on my head,
That shall not be unsaid,
And the wounds in my heart are red,
For I have watched them die.

The art of poetry belongs to life; one lives for it just as other people live for their essential vocations of whatever kind they may be. It is one’s earthly home, and the other poets, dead or living, when masters of the art, are one’s housemates.

Easter was late in April that year; my first three tours of trenches occupied me during the last thirty days of Lent. This essential season in the Church calendar was not, as far as I remember, remarked upon by anyone in my company, although the name of Christ was often on our lips, and Mansfield (when a canister made a mess of the trench not many yards away from him) was even heard to refer to our Saviour as ‘murry old Jesus!’ These innocuous blasphemings of the holy name were a peculiar feature of the War, in which the principles of Christianity were either obliterated or falsified for the convenience of all who were engaged in it. Up in the trenches every man bore his own burden; the Sabbath was not made for man; and if a man laid down his life for his friends it was no part of his military duties. To kill an enemy was an effective action; to bring in one of our own wounded was praiseworthy, but unrelated to our war-aims. The Brigade chaplain did not exhort us to love our enemies. He was content to lead off with the hymn ‘How sweet the name of Jesus sounds’!