When things began to go badly wrong between me and Alice, I had a terrible fear that getting attached to an upper-class girl like her was part of a c… - Eric Clapton
" "When things began to go badly wrong between me and Alice, I had a terrible fear that getting attached to an upper-class girl like her was part of a childhood resentment, connected to my feelings about my mother, to bring down women, and that deep inside I was thinking, “Here’s an Ormsby-Gore, and I’m going to make her suffer.
About Eric Clapton
Eric Patrick Clapton, CBE (born 30 March 1945), is an English rock and blues guitarist, singer, and songwriter. He is the only three-time inductee to the Rock and Roll Hall of Fame: once as a solo artist and separately as a member of the Yardbirds and of Cream. He was also part of the bands Blind Faith and Derek and the Dominos.
Biography information from Wikiquote
Also Known As
Related quotes. More quotes will automatically load as you scroll down, or you can use the load more buttons.
Additional quotes by Eric Clapton
When you are playing night after night on a punishing schedule, often not because you want to but because you are contractually obligated to, it is only too easy to forget the ideals that once brought you together. There were times, too, when, playing to audiences who were only too happy to worship us, complacency set in. I began to be quite ashamed of being in Cream, because I thought it was a con. It wasn’t really developing from where we were. As we made our voyage across America, we were being exposed to extremely strong and powerful influences, with jazz and rock ’n’ roll that was growing up around us, and it seemed that we weren’t learning from it.
the same thing happened when I first heard Big Bill Broonzy. I saw a clip of him on TV, playing in a nightclub, lit by the light from a single lightbulb, swinging in its shade from the ceiling, creating an eerie lighting effect. The tune he was playing was called “Hey Hey,” and it knocked me out. It’s a complicated guitar piece, full of blue notes, which are what you get by splitting a major and a minor note. You usually start with the minor and then bend the note up toward the major, so it’s somewhere between the two. Indian and Gypsy music also use this kind of note bending. When I first heard Big Bill and, later, Robert Johnson, I became convinced that all rock ’n’ roll — and pop music too, for that matter — had sprung from this root.