American musician, singer, songwriter and record producer (1942–2025)
Brian Douglas Wilson (born 20 June 1942) is an American musician most famous as the chief songwriter of The Beach Boys. Besides acting as their co-lead vocalist, he also functioned as the band's main producer and arranger.
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You don't want to be scared all the time. There are other emotions besides fear. You've got anger. You've got jealousy. You've got joy. You've got fascination. You've got jealousy. You've got anger. You've got frustration. You've got hunger. You've got all those emotions. But that's how it's strung together. We strung all these hits together. One hit, strung it together. Another hit, strung it together. Another hit, strung it together. And pretty soon we had a string of hits.
It was very competitive in the '60s. And everybody caught the bug, y'know? It was like a “competitive bug.” And, as far as I could see, everybody was turning everybody on. … The Beatles were a part of that whole “competition” thing. Rubber Soul blew my mind. It really made me wanna record; it made me wanna cut. It sounds like a collection of songs that belong together, and it was an uplifting feeling. So I thought I'd make a collection of songs — called Pet Sounds — together. That's how I got that idea. … I'm proud of it. I think it's a very everlasting album. I'm very proud of the love that went into it. A lot of love went into that album. And people pick up on that too, and they really like it 'cause they feel the love.
You wouldn’t think this, but I almost never went to the beach as a kid, even though it was only a few miles away. The first time I ever went to the ocean I couldn’t believe it. My dad took us, and I was so scared at the size of the ocean. Also, I had light skin that burned easily and I didn’t like squinting against the sun for hours. Once I went with my friend Rich Sloan and I kept my jeans on so the sun couldn’t get to me. And there was barely any surfing either. I tried once and got conked on the head with the board. So Los Angeles and California were more about the idea of going in the ocean than they were about actually going in the ocean. I liked to look at it, though. It was sort of like a piece of music: each of the waves was moving around by itself, but they were also moving together.
When people hear music that is spiritual it gets through. Music that is Godlike and loving gets through. I don’t have any power in this world, but I have spiritual power. I think God gave me my music and my talent. I’m trying to get across a feeling of spirituality; I think I have a spiritual influence on people.
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Now and then I'll be a little brief with some of my band members. I won't talk or I'll refrain from talking to my band while we're rehearsing. But basically I am friendly with people. … I'll go on cold streaks. I'll work with a collaborator then I'll stop calling the collaborator for a couple weeks. I'll say I need a break from you for a couple weeks. But they're "OK, fine, fine, I'll see you in two weeks."
I would have the musicians keep playing over and over again till the sound made sense. I worked overtime on that; I worked hours to get it right. If the sound didn't make any sense, then I wouldn't know what to do — I'd be lost! It's instinct that tells me. I have an instinct for music, or a feeling about it, and I'll have my feelings guide my hands.