That sense of being an outcast continued into high school. “I just wasn’t popular; I cried a lot, I was very shy. I would cover my head with a blazer. I wouldn’t be able to talk – I just was a loner. And my only escape was the music room.

But I wasn’t thinking about how to be better in the limelight, I was just thinking of how to be a better person in general, the best possible version of myself. And I think once you start being visible, a lot of these things that you didn’t know existed start coming to light, you start knowing yourself more, too.

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I think the perfectionism is definitely a Nigerian thing. For me, it’s definitely Lagos. Because if you check around the world, Nigerians are always the best at whatever they’re doing, whether that’s braids, hair, make-up, doctors… They’ll give you food and it’ll be over good, so that when you’re paying them, you know why.

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What I hope that God does through me, is for the image of the African woman to be changed to something luxurious, or desired, or sought after. For the demand of the African woman to go up… Let us not be chasing foreign things, let us be something to be chased. And that can’t just happen with me; it’s a together thing. It has to happen with a whole industry of women already doing real and amazing things. That’s the future.

Well, I’ve never felt more connected with my fans like that before. It just felt like we were all in one room and it was a lot of people, but it felt like we might as well have been in a big ass living room, just vibing. I really felt like that experience and the presence was just incredibly intense. I haven’t let go so much as I did before that day in terms of performing.

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Locally, I'm definitely hoping for Burna Boy, Wizkid, and Niniola. I'm also hoping for my friend, Dami Oniru. I'm hoping we can release some of our collaborations. Internationally, I'd like Stormzy, Ms Banks, and maybe Khalid. This is the longest shot ever but I want to work with Frank Ocean. Koffee as well! She's top on my list.