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In my day, living where I did, I was taught to say 'yes, sir' and 'yes ma'am.' I was taught respect.
On the one hand, adults in Greensville also showed respect for kids. You rarely heard a grown-up curse in front of a child, for example. Kids were taught to mind their manners all right, but as far as I could tell, the older folk set a decent example.

I suppose I've always done my share of crying, especially when there's no other way to contain my feelings. I know that men ain't supposed to cry, but I think that's wrong. Crying's always been a way for me to get things out which are buried deep, deep down. When I sing, I often cry. Crying is feeling, and feeling is being human.

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I started to sing like myself — as opposed to imitating Nat Cole, which I had done for a while — when I started singing like Ray Charles, it had this spiritual and churchy, this religious or gospel sound. It had this holiness and preachy tone to it. It was very controversial. I got a lot of criticism for it.

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Hey mama, don't you treat me wrong,
Come and love your daddy all night long.
All right now, hey hey, all right.
See the girl with the diamond ring;
She knows how to shake that thing.
All right now now now, hey hey, hey hey.
Tell your mama, tell your pa,
I'm gonna send you back to Arkansas.
Oh yes, ma'm, you don't do right, don't do right.

Soul is when you take a song and make it a part of you — a part that's so true, so real, people think it must have happened to you. … It's like electricity — we don't really know what it is, do we? But it's a force that can light a room. Soul is like electricity, like a spirit, a drive, a power.

Do it right or don't do it at all. That comes from my mom. If there's something I want to do, I'm one of those people that won't be satisfied until I get it done. If I'm trying to sing something and I can't get it, I'm going to keep at it until I get where I want it.