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One should oppose the fascination with Hitler according to which Hitler was, of course, a bad guy, responsible for the death of millions — but he def… - Slavoj Žižek
" "One should oppose the fascination with Hitler according to which Hitler was, of course, a bad guy, responsible for the death of millions — but he definitely had balls, he pursued with iron will what he wanted. … This point is not only ethically repulsive, but simply wrong: no, Hitler did not ‘have the balls’ to really change things; he did not really act, all his actions were fundamentally reactions, i.e., he acted so that nothing would really change, he stages a big spectacle of Revolution so that the capitalist order could survive.” In this precise sense of violence, Gandhi was more violent than Hitler: Gandhi’s movement effectively endeavored to interrupt the basic functioning of the British colonial state.
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About Slavoj Žižek
Slavoj Žižek (born 21 March 1949) is a Slovenian sociologist, philosopher and cultural critic. Zizek is a known for his controversial public personality, use of "dirty humor", and complex philosophy that synthesizes the philosophies of Karl Marx, Hegel, and Jacques Lacan.
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Slavoj Zizek
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Zizek
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Slavoj Krečič Žižek
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Additional quotes by Slavoj Žižek
The dead Lenin who does not know that he is dead thus stands for our own obstinate refusal to renounce the grandiose utopian projects and accept the limitations of our situation: there is no big Other, Lenin was mortal and made errors like all others, so it is time for us to let him die, to put to rest this obscene ghost which haunts our political imaginary, and to approach our problems in a non-ideological and pragmatic way. But there is another sense in which Lenin is still alive: he is alive in so far as he embodies what Badiou calls the 'eternal Idea' of universal emancipation, the immortal striving for justice that no insults and catastrophes manage to kill.
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Kantian definition of the Sublime: 'The sublime may be described in this way: It is an object (of nature) the representation of which determines the mind to regard the elevation of nature beyond our reach as equivalent to a presentation of ideas...' The feeling of the Sublime is, therefore, at once a feeling of displeasure, arising from the inadequacy of imagination in the aesthetic estimation of magnitude to attain, to its estimation by reason, and a simultaneously awakened pleasure, arising from this very judgement of the inadequacy of the greatest faculty of sense being in accord with ideas of reason, so far as the effort to attain to these is for us a law.
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