...the furious whir of the Singer. - Julia Alvarez

The typical Bildungsroman, the novel of growing up, first of all traditionally involves a single character reaching a kind of epiphany or self-realization, and it has a forward trajectory, which is the classic structure of the novel. But I wanted to structure the novel so that the reader can experience, not by being told but shown, what it feels like to be an immigrant – you’re always going back, going back to where you came from to measure who you are today. So plot in a novel is not just how you’re going to fit all the pieces together or how you’re going to do the chronology. Plot is more sophisticated than that. It’s a way of structuring the way the reader thinks and feels.

Are we all with acute loneliness,
chronic patients trying to recover
the will to love?
...Sometimes the love
of another wounded one acts like a salve
which soothes the dying self but cannot heal
our lives. And perhaps this is what it feels
like to be human, and we are all well?

what I know from experience: that writing is a vocation and a practice over a lifetime, with its ups and downs. It teaches me humility, the great democracy of each time having to start over.