Many Hollywood stars have committed versions of the long suicide. Biographies of Clift posit that he drank because he couldn’t be his true self, beca… - Anne Helen Petersen

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Many Hollywood stars have committed versions of the long suicide. Biographies of Clift posit that he drank because he couldn’t be his true self, because homosexuality was the shame he had to shelter within. But if you look at his own words, his testimonies about what acting did to him, you’ll see the culprit. His perpetual question to himself, as he once scribbled in his journal, was, “How to remain thin-skinned, vulnerable, and still alive?” For Clift, the task proved impossible. Clift once said, “The closer we come to the negative, to death, the more we blossom.” He took himself to that precipice, but he fell straight in. And so he remains frozen in the popular imagination, circa From Here to Eternity — those high cheekbones, that set jaw, the firm stare: a magnificent, proud, tragically broken thing to behold.

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Williams’s trashiness is the opposite of the tennis image: to be sexy, to admit you have a body, to wear things that are flashy or sparkly, all of it flies in the face of the traditional tennis idea, which corresponds with that of upper-class America.

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