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" "The coolness of Buddhism isn't indifference but the distance one gains on emotions, the quiet place from which to regard the turbulence. From far away you see the pattern, the connections, and the thing as whole, see all the islands and the routes between them. Up close it all dissolves into texture and incoherence and immersion, like a face going out of focus just before a kiss.
Rebecca Solnit (born June 24, 1961) is an American writer. She has written on a variety of subjects, including feminism, the environment, politics, place, and art.
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L.A. Kauffman: I am curious to hear what things are making you most hopeful right now, what things in the landscape you are really fixing on as signs of hope.
Rebecca Solnit: Two things that always come up for me: one is that half the people under 18 in this country are not white. And you see how awesome, like, the Parkland students are, and that this rising generation kind of gets the connections between economics and race and gender. They are not nearly as homophobic as anyone who ever came before them, and a lot of them actually think very fluidly about their own gender and who they are attracted to. So, and that is coupled with the fact—and this is something I have written about, because it does not feel widely enough understood—the Republicans could not have won any of the last many national elections except through massive voter suppression.
Reading these stories, it's tempting to think that
the arts to be learned are those of tracking, hunting,
navigating, skills of survival and escape. Even in the
everyday world of the present, an anxiety to survive
manifests itself in cars and clothes for far more rugged
occasions than those at hand, as though to express some
sense of the toughness of things and of readiness to face
them. But the real difficulties, the real arts of survival,
seem to lie in more subtle realms. There, what's called
for is a kind of resilience of the psyche, a readiness to
deal with what comes next. These captives lay out in a
stark and dramatic way what goes on in every life: the
transitions whereby you cease to be who you were. Seldom
is it as dramatic, but nevertheless, something of
this journey between the near and the far goes on in
every life. Sometimes an old photograph, an old friend,
an old letter will remind you that you are not who you
once were, for the person who dwelt among them, valued
this, chose that, wrote thus, no longer exists. Without
noticing it you have traversed a great distance; the
strange has become familiar and the familiar if not
strange at least awkward or uncomfortable, an outgrown
garment. And some people travel far more than
others. There are those who receive as birthright an adequate
or at least unquestioned sense of self and those
who set out to reinvent themselves, for survival or for
satisfaction, and travel far. Some people inherit values
and practices as a house they inhabit; some of us have to
burn down that house, find our own ground, build from scratch, even as a psychological metamorphosis.