It seems to me ridiculous to try to believe that Gao E sat down and wrote the last 40 chapters [of Dream of the Red Chamber]. I'm sure that's not tru… - David Hawkes

My one abiding principle has been to translate everything – even puns. For although this is...an 'unfinished' novel, it was written (and rewritten) by a great artist with his very lifeblood. I have therefore assumed that whatever I find in it is there for a purpose and must be dealt with somehow or other. I cannot pretend always to have done so successfully, but if I can convey to the reader even a fraction of the pleasure this Chinese novel has given me, I shall not have lived in vain.

Many of the symbols, word-plays and secret patterns with which the novel abounds seem to be used out of sheer ebullience, as though the author was playing some sort of game with himself and did not much care whether he was observed or not. Chinese devotees of the novel often continue to read and reread it throughout their lives and to discover more of these little private jokes each time they read it.

We must make [the Honour School of Chinese] sufficiently broad and humane to satisfy those whose interests are not narrowly philological [...] by presenting Chinese literature as a part of our total human heritage; [and] we must always insist that the Honour School should be based on the study of literature.