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" "I wrote a pilot for a show that was based on my work. I wrote an original pilot for a limited series that is still out there being shopped around. … What I felt writing scripts is, I really like it. It's very interesting and sort of technical-feeling compared to writing novels. And I will continue to do it because it's a nice break between books, and it kind of can pay … to get a new stove in your kitchen, like there's actual financial benefits to doing it. But I think my soul is in the page and in writing novels. Being in control of the entire universe that I'm writing is really what feeds me on a much deeper level. And so I will never kind of fully abandon the written word. It just feeds me in a whole other way, but unfortunately doesn't literally feed me or my children.
(born September 13, 1970) is an American novelist and essayist.
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Late in “Colored Television,” Jane returns to a passage by a (white) scholar whose study of mulattos influenced her doomed manuscript. “My life’s work has been to try to define a people that cannot be defined or even located — for the mulatto is the only race in our nation’s history that is perpetually shifting, changing colors, morphing into something unrecognizable,” the scholar writes.
My mother had this book lying around our house in the 1980s called “The Big Book of Jewish Humor.” I remember looking through it as a kid and understanding that Jewish people had their own inside jokes, and this fact alone somehow made me feel that Jewish people were their own club, a tribe, with an inside and an outside.