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" "If there's four Vietcong in a village with knives and punji sticks, we'll bring in a B-52. And I think, sometimes we need to learn to fight smarter instead of to fight richer. And this is what I mean, you know, education, "oh, education's expensive;" no it's not, books are cheap, (the) internet's cheap, we can fight smarter, we can learn. So, that's where resource-to-kill-ratio comes from.
Maximillian Michael "Max" Brooks (born 22 May 1972) is an American horror author and screenwriter. He is the son of comedy filmmaker Mel Brooks and actress Anne Bancroft. Brooks's writing focuses on zombie stories. Brooks is also a television and voice-over actor.
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There's a little pond, in a small town in Poland, where they used to dump the ashes. The pond is still gray, even half a century later. I've heard it said that the holocaust had no survivors, that even those who managed to remain technically alive were so irreparably damaged, that their spirit, their soul, the person that they were supposed to be, was gone forever. I'd like to think that's not true. But if it is, then no one on Earth survived this war.
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Do you know how many times, when I was a kid, going to Europe, having a Frenchman try to get on my case about Vietnam. And that wasn't the problem, do you know what it was like to have other kids, other American students go, "yeah, it's pretty bad, in Vietnam, we should, yeah". And I'd be like, 'but, mhmm, French Indochina.' , and they'd be like, "Oh is that near Vietnam" (groans). We don't educate our young people, and then we send them out into the world, as ambassadors as lameness. So no, no world empire, I don't want to be responsible for the plumbing in Rwanda, but we do need to become as much of a student of them as they are of us. Because, here's the thing. Well, the problem with the global village, remember in the early 90's, with the term now, global village, well the problem with the global village is that a lot of people are waking up realizing that they are in the global villages ghetto. And now with media, we are broadcasting these images of our wealth, and our power, our society, and the people in the global village are looking up on the hill seeing that mansion, but we're not looking down into the slum, and we need to do that. There's just so many times you can drive slowly through the ghetto in a rich convertible before you get carjacked. So this is what I mean, we need to engage...