Advanced Search Filters
Filter search results by source, date, and more with our premium search tools.
" "However, what is really required to defend 'the West' against the sudden rise of these barbaric and elemental forces is the strengthening, to an extent perhaps still unknown to Western man, of a heroic vision of life. Apart from the military-technical apparatus the world of the 'Westerners' has at its disposal only a limp and shapeless substance – and the cult of the skin, the myth of 'safety' and of 'war on war', and the ideal of the long, comfortable guaranteed, 'democratic' existence, which is preferred to the ideal of the fulfilment which can be grasped only on the frontiers between life and death in the meeting of the essence of living with the extreme of danger.
Julius Evola (19 May 1898 – 11 June 1974) was an Italian far-right philosopher. Evola regarded his values as aristocratic, monarchist, masculine, traditionalist, heroic, and defiantly reactionary. An eccentric thinker in Fascist Italy, he also had ties to Nazi Germany; in the post-war era, he was an ideological mentor of the Italian neo-fascist and militant Right.
Filter search results by source, date, and more with our premium search tools.
Related quotes. More quotes will automatically load as you scroll down, or you can use the load more buttons.
The enormous and spontaneous spread of jazz in the modern world shows that meanings no different from those of the physico-cerebral "classical" music, which superseded nineteenth-century bourgeois melodrama and pathos, have in fact thoroughly penetrated the younger generation. But there are two sides to this phenomenon. Those who once went crazy for the waltz or delighted in the treacherous and conventional pathos of melodrama, now find themselves at ease surrounded by the convulsive-mechanical or abstract rhythms of recent jazz, both "hot" and "cool," which we must consider as more than a deviant, superficial vogue. We are facing a rapid and central transformation of the manner of listening, which is an integral part of that complex that defines the nature of the present. Jazz is undeniably an aspect of the resurfacing of the elemental in the modern world, bringing the bourgeois epoch to its dissolution.
The Americans' "open-mindedness", which is sometimes cited in their favor, is the other side of their interior formlessness. The same goes for their "individualism". Individualism and personality are not the same: the one belongs to the formless world of quantity, the other to the world of quality and hierarchy. The Americans are the living refutation of the Cartesian axiom, "I think, therefore I am": Americans do not think, yet they are. The American "mind", puerile and primitive, lacks characteristic form and is therefore open to every kind of standardization.
I truly cannot say what the person who still has hope for man should think of the imminence of quasi-apocalyptic destruction. It would certainly force many to face the existential problem in all its nakedness, and subject them to extreme trials; but is this a worse evil than that of mankind's safe, secure, satisfied, and total consignment to the kind of happiness that befits Nietzsche's "last man": a comfortable consumer civilization of socialized human animals, aided by all the discoveries of science and industry and reproducing demographically in a squirming, catastrophic crescendo?