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" "I was, of course, angry and disappointed to see this happen, and I am deeply troubled by what it foretells for free speech in India in the present, and steadily worsening, political climate... I do not blame Penguin Books, India. Other publishers have just quietly withdrawn other books without making the effort that Penguin made to save this book [The Hindus: An Alternative History]. Penguin, India, took this book on knowing that it would stir anger in the Hindutva ranks, and they defended it in the courts for four years, both as a civil and as a w:Lawsuitcriminal suit. They were finally defeated by the true villain of this piece – the Indian law that makes it a criminal rather than civil offense to publish a book that offends any Hindu, a law that jeopardizes the physical safety of any publisher, no matter how ludicrous the accusation brought against a book.
Wendy Doniger O'Flaherty (born 20 November, 1940) is an American Indologist.
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It's the religious aspects in which I feel most at home, in a way. No, I don't really feel at home in India anymore. I'm not physically comfortable in India most of the time-I like Chicago, I like snow. It's an irony that I should be an Indologist because I don't like hot climates. I don't like crowds. There are too many things about India that don't suit my physical makeup. And also, I hardly ever go to Bengal, so I don't have a language[ to speak. So I go as a visitor. I visit friends. To some extent, ironically, I'm more at home in India now because there are fabulous hotels with good food and people speaking English, it's like being in New York, but if I go to a village I can't talk to people. I don't know if I ever really was at home in India, but I love being there.
I feel at home in Hindu temples. I like how complicated they are. Being in a great Hindu temple is like being in a forest. You can wander around all day. People kind of leave you alone. When you wander around temples when there isn't a ceremony, there's a kind of peacefulness about them, and I recognize the scenes and the icons. That's Shiva doing this, that's Parvati doing that. Whereas when I go to the Vatican, I have to have someone explain to me what the Sistine Chapel is all about. So I'm at home in Hinduism in that sense, I know what it's all about.
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Doniger makes clear that no history focused on an imperial centre can capture the history of the Hindus here, any more than could such a state-focused story in the days before the arrival of the Muslims. But at the same time, the very structure of her presentation points also to the import-ance of the state as a locus for understanding how the history of the Hindus depends also on an engagement with broader currents of historical change extending outside India and linking this history to larger, worldwide processes.